Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Pat MethenyRead
...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
Interpretation
Jazz is an active process of creation rather than a fixed product.
In this quote, Pat Metheny expresses the idea that jazz should be viewed as an evolving and dynamic form of expression. He emphasizes that the essence of jazz lies in its improvisational and spontaneous nature, highlighting the importance of the creative process over the end result.
In practice
A musician discussing the nature of jazz in a music workshop.
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.
There are musicians who go through their lives sort of shedding their skins. For me, I've always felt backward-compatible to Version 1.0.
I never think about themes. I let the music create itself. I like it to be a potpourri of all kinds of sounds, all kinds of colors, something for everybody, from the farmer in Ireland to the lady who scrubs toilets in Harlem.
A man should dress in a way that you don't notice. He looks good and you don't know why. But it's the tailoring, the materials, and the clothes.
I start from one point and go as far as possible. But, unfortunately, I never lose my way. I 'localize,' which is to say that I think always in a given space. I rarely think of the whole of a solo, and only very briefly. I always return to the small part of the solo that I was in the process of playing.
The photograph should be more interesting or more beautiful than what was photographed
A line is a dot that went for a walk.
That's what you're looking for as a writer when you're working. You're looking for your own freedom. To lose your inhibition to delve deep into your memory and experiences and life and then to find the prose that will persuade the reader.
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