Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Pat MethenyRead
...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
Interpretation
Jazz is an active process of creation rather than a fixed product.
In this quote, Pat Metheny expresses the idea that jazz should be viewed as an evolving and dynamic form of expression. He emphasizes that the essence of jazz lies in its improvisational and spontaneous nature, highlighting the importance of the creative process over the end result.
In practice
A musician discussing the nature of jazz in a music workshop.
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.
There are musicians who go through their lives sort of shedding their skins. For me, I've always felt backward-compatible to Version 1.0.
Poets are being pursued by the philosophers today, out of the poverty of philosophy. God damn it, you might think a man had no business to be writing, to be a poet unless some philosophic stinker gave him permission.
It is only an auctioneer who can equally and impartially admire all schools of art.
I think the rhythm is like the spine of the piece. If you change that, then the body that forms around it is changed as well.
I think of writing as a sculptural medium. You are not building things. You are removing things, chipping away at language to reveal a living form.
Sometimes I feel as if I am read before I write. When I write a poem about my mother, Palestinians think my mother is a symbol for Palestine. But I write as a poet, and my mother is my mother. She's not a symbol.
Poetry is adolescence fermented, and thus preserved.
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