The thing is, 'Discworld' had been going on for a very long time, and I've written children's books as well. Usually when people have a really big series they franchise it, which I thought is a bit of a no-no, so I thought what I'd do is I'd franchise it to myself.
Interpretation
Terry Pratchett emphasizes the importance of staying authentic rather than simply commodifying a successful work.
In this quote, Terry Pratchett reflects on his long-running series 'Discworld' and his approach to maintaining its integrity. Instead of branching out or franchising it to others, he chooses to keep the control within himself, showcasing a commitment to authenticity and personal vision in creative endeavors. This highlights the value of stewardship in art and the risk of losing one's original voice in the pursuit of commercial gain.
In practice
During a panel on creative writing, this quote could illustrate the importance of maintaining one's artistic vision.
And then Jack chopped down what was the world's last beanstalk, adding murder and ecological terrorism to the theft, enticement, and trespass charges already mentioned, and all the giant's children didn't have a daddy anymore. But he got away with it and lived happily ever after, without so much as a guilty twinge about what he had done...which proves that you can be excused for just about anything if you are a hero, because no one asks inconvenient questions.
They've got something they do it with, I think it's called a mocracy, and it means everyone in the whole country can say who the new Tyrant is. One man ... one vet. ... Everyone has ... the vet. Except for women, of course. And children. And criminals. And slaves. And stupid people. And people of foreign extraction. And people disapproved of for, er, various reasons. And lots of other people. But everyone apart from them. It's a very enlightened civilization.
Geography is just physics slowed down, with a couple of trees stuck in it.
You can't trample infidels when you're a tortoise. I mean, all you could do is give them a meaningful look.
Any fool could be a witch with a runic knife, but it took skill to be one with an apple corer.
People look down on stuff like geography and meteorology, and not only because they're standing on one and being soaked by the other. They don't look quite like real science. But geography is only physics slowed down and with a few trees stuck on it, and meteorology is full of excitingly fashionable chaos and complexity. And summer isn't a time. It's a place as well. Summer is a moving creature and likes to go south for the winter.
I do write long, long character notes - family background, history, details of appearance - much more than will ever appear in the novel. I think this is what lifts a book from that early calculated, artificial stage.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
I have learned as much about writing about my people by listening to blues and jazz and spirituals as I have by reading novels.
The ultimate aim of all artistic activity is building! ... Architects, sculptors, painters, we must all get back to craft! ... The artist is a heightened manifestation of the craftsman. ... Let us form ... a new guild of craftsmen without the class divisions that set out to raise an arrogant barrier between craftsmen and artists! ... Let us together create the new building of the future which will be all in one: architecture and sculpture and painting.
Fiction is based on reality unless you're a fairytale artist.
Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you're listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you.
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