As an actor I am always waiting for my luck to run out.
Tom HanksRead
At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'
Interpretation
A movie should be entertaining, thought-provoking, and worth the audience's time.
Tom Hanks emphasizes the importance of a film resonating with its audience by being both enjoyable and intellectually stimulating. He believes that a successful movie satisfies viewers by providing them not just laughter but also meaningful content that makes their viewing experience significant.
In practice
In a film festival discussion about audience engagement.
As an actor I am always waiting for my luck to run out.
Even the simplest choice can make a jaw-dropping difference in our world.
My kid could get a bad X-ray and I could get a call from the doctor saying I have something growing in my bum and that would change my perspective on everything instantaneously, on what is and what is not important.
Back in World War II, we viewed the Japanese as 'yellow, slant-eyed dogs' that believed in different gods. They were out to kill us because our way of living was different. We, in turn, wanted to annihilate them because they were different. Does that sound familiar, by any chance, to what's going on today?
I think it's better to feel good than to look good.
If you look at romantic comedies as pieces of commerce, the audience is looking for wish fulfillment.
Say it, no ideas but in things - nothing but the blank faces of the houses and cylindrical trees bent, forked by preconception and accident - split, furrowed, creased, mottled, stained - secret - into the body of the light!
I get thousands of letters, and they give me a feeling of how each book is perceived. Often I think I have written about a certain theme, but by reading the letters or reviews, I realise that everybody sees the book differently.
Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?"
Painting is silent poetry, and poetry is painting that speaks.
Like every novelist, I fantasise about film. Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from, and they're also relying tremendously on the creative imagination of the reader.
My task, which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel--it is, before all, to make you see.
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