Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
Pat MethenyRead
I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
Interpretation
Jazz music values innovation over looking back at the past.
In this quote, Pat Metheny expresses the idea that jazz as a musical genre is inherently forward-looking and does not accommodate those who cling to nostalgia. Instead, it demands that musicians constantly innovate and evolve, pushing their creative boundaries to produce fresh and original art.
In practice
Using this quote during a jazz workshop to inspire musicians.
Smokin' at the Half Note is the absolute greatest jazz-guitar album ever made. It is also the record that taught me how to play.
The beauty of jazz is that it's malleable. People are addressing it to suit their own personalities.
...to me if it's anything, jazz is a verb-it's more like a process than it is a thing.
The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.
There are musicians who go through their lives sort of shedding their skins. For me, I've always felt backward-compatible to Version 1.0.
When a book is alive, really alive, you feel it. You put it to your ear here, and you feel it breathe, sometimes laugh, sometimes cry, just like a person, a little person.
I was convinced that the only thing I wanted to do ever - was write novels.
When you write about sports, you're allowed to engage in mischief. Nothing is at stake.
For the slow labor of realizing a potential gift the artist must retreat to those Bohemias, halfway between the slums and the library, where life is not counted by the clock and where the talented may be sure they will be ignored until that time, if it ever comes, when their gifts are viable enough to be set free and survive in the world.
When you say 'design,' everybody thinks of magazine pages. So it's an emotive word. Everybody thinks it's how something looks, whereas for me, design is pretty much everything.
I'm suspicious of the idea of categories in music and this idea of things being in boxes. To me, that seems unnatural. I write the music that somebody with my biography would write, and the thing that's always driven me is an enthusiasm for the material. I sort of follow the notes to where they want to go.
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