What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.
Harold PrinceRead
The musical has always been in jeopardy - until - or was in jeopardy until it was realised that it is probably the safest living theatre art form.
Interpretation
The musical genre faced risks but is now considered a secure form of live theater.
Harold Prince reflects on the historical challenges faced by musical theater, suggesting that despite these dangers, it has emerged as a beloved and stable form of live performance. His insight highlights the resilience and enduring appeal of musicals in the theatrical landscape, showcasing how they have adapted and thrived over time.
In practice
In a discussion about art resilience, one might quote this to emphasize the stability of musicals.
What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.
All these actors who died before I was born, all the theaters and the artistic movements - all that stuff fills you up and makes you feel like you're the inheritor of all this information and of all its passion.
If you have a story that seems worth telling, and you think you can tell it worthily, then the thing for you to do is to tell it, regardless of whether it has to do with sex, sailors or mounted policemen.
You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that.
Since the departure of good old-fashioned entertainers the re-emergence of somebody who wants to be an entertainer has unfortunately become a synonym for camp. I don't think I'm camper than any other person who felt at home on stage, and felt more at home on stage than he did offstage.
When the first baby laughed for the first time, the laugh broke into a thousand pieces and they all went skipping about, and that was the beginning of fairies.
I think an artist, in my definition of that word, would not be someone who takes sides with the emperor against his powerless subjects. That's different from prescribing a way in which a writer should write.
I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
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