If you have a story that seems worth telling, and you think you can tell it worthily, then the thing for you to do is to tell it, regardless of whether it has to do with sex, sailors or mounted policemen.
Interpretation
This quote encourages individuals to share their stories, no matter the subject, if they believe they can do so effectively.
Dashiell Hammett's quote emphasizes the importance of storytelling, suggesting that anyone who feels their narrative is significant should share it, irrespective of its content. The mention of various topics like sex, sailors, and mounted policemen illustrates that all stories, regardless of their nature, can have value when told with sincerity and skill.
In practice
A writer might use this quote at a workshop to encourage participants to share their personal experiences.
We didn't exactly believe your story.' Then --?' 'We believed your two hundred dollars.' 'You mean --' She seemed not to know what he meant. 'I mean that you paid us more than if you'd been telling the truth,' he explained blandly, 'and enough more to make it all right.
She grinned at me. 'You got types?' 'Only you darling - lanky brunettes with wicked jaws.
What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it.
The people who lie the most are nearly always the clumsiest at it, and they're easier to fool with lies than most people, too. You'd think they'd be on the look-out for lies, but they seem to be the very ones that will believe almost anything at all.
Let my children have music! Let them hear live music.
Acting is not about anything romantic, not even fantasy, although you do create fantasy.
The creative adult is the child who has survived.
The music industry is a matrix that is counter to what is natural and right.
Censorship is the thing that stops you doing what you want to do, and what writers want to talk about is what they do, not what stops them doing it.
I suppose when you do it correctly, a good introduction and a good outro makes the song feel like it's coming out of something and then evolving into something.
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