You hand the baton on, and that's why roles like 'Medea' resonate for years and years, as each new actor comes to it.
Diana RiggRead
I never relied on my beauty for anything. It was one of those things that was inevitable; you have a bit of philosophy about it. I didn't go into mourning.
Interpretation
The quote emphasizes that beauty should not be a source of reliance or self-worth.
Diana Rigg reflects on the transient nature of beauty and highlights the importance of inner strength and philosophy. Instead of mourning the inevitable changes brought by aging or the loss of beauty, she suggests adopting a thoughtful perspective that values more substantial qualities over superficial ones.
In practice
In a speech about self-esteem, someone might quote this to inspire confidence beyond physical appearance.
You hand the baton on, and that's why roles like 'Medea' resonate for years and years, as each new actor comes to it.
Against eternal injustice, man must assert justice, and to protest against the universe of grief, he must create happiness.
The mind in its foolishness thinks that it is working in this body. Why should I be bound by one system of nerves, and put the Ego only in one body, if the mind is omnipresent? There is no reason why I should.[Source]_x000D_ _x000D_ The root of that degeneration is egotism - to think that one is just as great as any other, indeed!
Society everywhere is in conspiracy against the manhood of every one of its members. The virtue in most request is conformity. Self-reliance is its aversion. It loves not realities and creators, but names and customs.
Democracy is a poor system of government at best; the only thing that can honestly be said in its favor is that it is eight times as good as any other method the human race has ever tried.
LET A MAN THINK AND CARE ever so little about God, he does not therefore exist without God. God is here with him, upholding, warming, delighting, teaching him-making life a good thing to him. God gives him himself, though the man knows it not.
There is only this now. It does not come from anywhere; it is not going anywhere. It is not permanent, but it is not impermanent. Though moving, it is always still. When we try to catch it, it seems to run away, and yet it is always here and there is no escape from it. And when we turn around to find the self which knows this moment, we find that it has vanished like the past.
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