After Momma gave birth to twelve of us kids, we put her up on a pedestal. It was mostly to keep Daddy away from her.
Dolly PartonRead
I ain't never far away from a pencil and paper or a tape recorder.
Interpretation
Dolly Parton emphasizes her constant readiness to capture inspiration through writing and recording.
In this quote, Dolly Parton highlights the importance of being prepared to document creativity at any moment. Her statement reflects the idea that great ideas can come to us unexpectedly, and having tools like a pencil, paper, or a tape recorder allows us to quickly seize those moments of inspiration.
In practice
During a writing workshop, an instructor might say, 'Remember what Dolly Parton said about always having a pencil and paper nearby.'
After Momma gave birth to twelve of us kids, we put her up on a pedestal. It was mostly to keep Daddy away from her.
My songs are the door to every dream I've ever had and every success I've ever achieved.
A real important thing is that, though I rely on my husband for love, I rely on myself for strength.
The hardest exercise for most of us fat people is that one where we push our chairback from the dinner table.
If your actions create a legacy that inspires others to dream more, learn more, do more and become more, then, you are an excellent leader.
Until I was a teenager, I used red pokeberries for lipstick and a burnt matchstick for eyeliner. I used honeysuckle for perfume.
To me, beauty is inclusion - every size, every color - that's the world I live in.
if a violin string could ache, i would be that string.
Literature is born when something in life goes slightly adrift.
There was a time before I felt I was a real writer, when I was a yarn spinner and I just wanted to tell story until it was over. But then there came a time where I was like, 'No, I want to understand something through writing this that I might have not understood before. I want people to come away with something to think about.'
My definition of art has always been the same. It is about freedom of expression. I donβt think anybody can separate art from politics. The intention to separate [the two] is itself a very political intention.
I must say here in France I had more serenity or security as I was working because I knew I was making the film the way I wished and that the film would be seen, ultimately, which is not always the case in Iran. In Iran, you always work having in mind this worry of will I be able to carry on my project as I wish and will the audience see the film.
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