I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Virginia WoolfRead
Never are voices so beautiful as on a winter's evening, when dusk almost hides the body, and they seem to issue from nothingness with a note of intimacy seldom heard by day.
Interpretation
The beauty of voices is most profound during quiet winter evenings, creating a unique sense of intimacy.
Virginia Woolf reflects on the exceptional quality of sound during winter evenings, suggesting that the atmosphere at dusk enhances the beauty of voices. The fleeting nature of this experience, heightened by the darkness, evokes a rare intimacy that is often lost in the busyness of daytime, inviting us to appreciate the subtleties of our surroundings and connections during quieter moments.
In practice
This quote could be used in a speech about the importance of finding peace and beauty in quiet moments.
I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past.
Death is woven in with the violets,” said Louis. “Death and again death.”)
He began to search among the infinite series of impressions which time had laid down, leaf upon leaf, fold upon fold softly, incessantly upon his brain; among scents, sounds; voices, harsh, hollow, sweet; and lights passing, and brooms tapping; and the wash and hush of the sea.
I want to think quietly, calmly, spaciously, never to be interrupted, never to have to rise from my chair, to slip easily from one thing to another, without any sense of hostility, or obstacle. I want to sink deeper and deeper, away from the surface, with its hard separate facts.
I do think all good and evil comes from words. I have to tune myself into a good temper with something musical, and I run to a book as a child to its mother.
London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.
It's so fine and yet so terrible to stand in front of a blank canvas.
I think it's our responsibility as artists to not only fight for our art but fight for the communities that are the reason we're able to continue making art, especially since, in Brooklyn's case, we as artists somehow made it 'cool' enough for the bigger money-making industries to start taking over.
I mean, give me a guitar, give me a piano, give me a broom and string, I wouldn't get bored anywhere.
Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
First, I would find an object which I would think is suitable for my characters and stories, then write about it, and in the end, I ended up with a house full of thousands of objects.
I don't paint to live, I live to paint.
Subscribe for the occasional hand-picked quote. No noise.