An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Paul CezanneRead
It's so fine and yet so terrible to stand in front of a blank canvas.
Interpretation
The tension of creativity is both exhilarating and daunting.
This quote by Paul Cezanne encapsulates the duality faced by artists when confronting a blank canvas. It symbolizes the excitement and potential of creation, alongside the fear and uncertainty that often accompanies the beginning of a new artistic endeavor. The blank canvas represents endless possibilities, but also the pressure to produce something worthwhile, reflecting the complex emotions tied to the creative process.
In practice
In an art class, a teacher could use this quote to discuss the challenges of beginning new projects.
An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Taste is the best judge. It is rare. Art only addresses itself to an excessively small number of individuals.
Monet is only an eye, but my God, what an eye!
If I were called upon to define briefly the word Art, I should call it the reproduction of what the senses preceive in nature, seen through the veil of the soul.
The landscape thinks itself in me and I am its consciousness.
I lack the magnificent richness of color that animates nature.
Getting the player emotionally involved is the holy grail. We try to make players forget they're playing a game. We want them to live the experience and suspend disbelief.
There's no doubt I was a bit of a misfit in the Hollywood of the forties. The race for glamour left me far behind. I didn't really want to keep up. I wanted my stardom without the usual trimmings. Because of this, I was branded a rebel at the very least. But I don't regret that for a minute. My appetite was my own and I simply wouldn't have it any other way.
I feel like in telling stories, there are the things the audience thinks are important, and then there are the things that are actually important.
If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.
Work a great deal at evening effects, lamplight, candlelight, etc. The intriguing thing is not to show the source of the light but the effect of the lighting.
Do you know, Considering the market, there are more Poems produced than any other thing? No wonder poets sometimes have to seem So much more businesslike than businessmen. Their wares are so much harder to get rid of.
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