That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
Charles BaudelaireRead
Dancing is poetry with arms and legs.
Interpretation
Dancing expresses emotions and stories through physical movement, akin to how poetry uses words.
This quote by Charles Baudelaire suggests that dance is a form of artistic expression, much like poetry, where the movements of the body convey feelings, ideas, and narratives. Both art forms rely on rhythm, creativity, and the ability to engage an audience, making dance a physical embodiment of poetic expression.
In practice
Use this quote when introducing a dance performance to highlight its artistic nature.
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
There is no sweeter pleasure than to surprise a man by giving him more than he hopes for.
The priest is an immense being because he makes the crowd believe astonishing things.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
A main part of the struggle of art has been to make an art that is direct, simple, humane, unconnected with powers that be in their essence... To the degree that it is connected with the bourgeoisie via the marketplace and so on is not necessarily an artist's problem.
When I became poet laureate, I was in a slightly uncomfortable position because I think a lot of poetry isn't worth reading.
Playwrights have texts, composers have scores, painters and sculptors have the residue of those activities, and dance is traditionally an ephemeral, effervescent, here-today-gone-tomorrow kind of thing.
Whenever I start writing, I try to put together songs that feed the feeling of the movie.
Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.
The sound of the rain needs no translation. In music one doesn't make the end of the composition the point of the composition... Same way in dancing, you don't aim at one particular spot in the room... The whole point of dancing is the dance.
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