Through books and photographs, I saw a world that was not my own - and I realized that there was another world. That's why I'm concerned about education, because it helps our children see other worlds.
Bette MidlerRead
When I moved to New York City in 1965, I wanted to be in theater. I was following my Ethel Barrymore dream. But I was too young to be Ethel.
Interpretation
The quote reflects Bette Midler's aspirations in the theater and the realization of her youth and inexperience in pursuing her dreams.
Bette Midler shares her story of moving to New York City with the hopes of becoming a theater actress like Ethel Barrymore. Her reflection on being 'too young' highlights the struggle between youthful ambition and the reality of one's current capabilities, suggesting that dreams can feel distant when one is still in the early stages of their journey.
In practice
This quote can inspire young actors at a drama workshop.
Through books and photographs, I saw a world that was not my own - and I realized that there was another world. That's why I'm concerned about education, because it helps our children see other worlds.
I believe that Judy Garland's artistry was so fine. I mean, when people say: 'oh, she brought so much of her life to her music', I don't really believe that. I believe that she didn't have to. She just was a moving human being. That was her gift.
Group conformity scares the pants off me because it's so often a prelude to cruelty towards anyone who doesn't want to - or can't - join the Big Parade.
Some say love, it is a razor that leaves your soul to bleed.
Twenty-seven people sang 'Wind Beneath My Wings' before I got around to it. A lot of people saw the movie that I sang it in, Beaches, and what they came away with was that song. They turned to their loved ones and said, 'You know, you are the wind beneath my wings!' The song expressed how they felt in a way a simple 'I love you' would not have.
I wish America would spend even half as much time complaining about plastics in our oceans as we do about actresses' plastic surgery.
Rob [Tapert], myself and Bruce Campbell sat in hundreds of drive-insnot hundreds, but tens of drive-ins, watching these movies and learning how they were made, and we started to make our own in Super 8. And thatβs really how we got into horror films. After a while we learned to really like them, and the craft that went into them.
When you write, itβs like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring them unity. Your fingers have still not perfected the task. Some of the braids are long, others are short. Some are thick, others are thin. Some are heavy. Others are light. Like the diverse women of your family. Those whose fables and metaphors, whose similes and soliloquies, whose diction and je ne sais quoi daily slip into your survival soup, by way of their fingers.
My body is damaged from music in two ways. I have a red irritation in my stomach. It's psychosomatic, caused by all the anger and the screaming. I have scoliosis, where the curvature of your spine is bent, and the weight of my guitar has made it worse. I'm always in pain, and that adds to the anger in our music.
The only merit I have is to have painted directly from nature with the aim of conveying my impressions in front of the most fugitive effects.
In the 'Nude Descending a Staircase,' I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn't descending an equally real staircase.
What a beautiful testament to the creative spirit and its true motives, to creative contribution coming from a place of purpose rather than a hunger for profit.
Subscribe for the occasional hand-picked quote. No noise.