An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
In the 'Nude Descending a Staircase,' I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn't descending an equally real staircase.
Interpretation
Duchamp's quote reflects on capturing the essence of movement in a static work of art.
In this quote, Marcel Duchamp expresses his desire to convey the concept of movement within a single, unchanging image, challenging the viewer's perception of reality. He emphasizes that the painting serves as an abstraction of motion, prompting viewers to engage with the idea that the depicted action of descending a staircase can exist in their minds despite the absence of actual movement.
In practice
During a gallery opening, one might quote Duchamp to discuss the nature of modern art and its relation to movement.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Photography begins not in the camera but in the _x000D_ mind and the eye. The real work is one of noticing and appreciating, seeing things clearly and differently, and _x000D_ sharing that vision with others. I have developed my _x000D_ vision and my photographic craft in order to bring _x000D_ the beauty of nature to light in a fresh way that _x000D_ can inspire and nourish people.
I think it takes a lot of trickery to keep up with the media and its perception of you. I don't know if I have it in me most of the time to care. The music is made first, and the interviews or photos to keep it alive come later as a necessary evil, I suppose.
I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.
Finishing a book is just like you took a child out in the back yard and shot it.
After the film it was raining, a light steady rain. Ruthless neon on the wet streets like busted candy.
And your eyes must do some raining if you're ever gonna grow / When crying don't help, you can't compose yourself / It's best to compose a poem, an honest verse of longing / Or a simple song of hope.
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