Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
George C. WolfeRead
When I came to New York, I told everyone I was a writer/director, and they said, 'No.' There was a rule. You could be one or the other. They ordained me writer. But then I won the Obie for directing 'Spunk,' and the rules changed.
Interpretation
Defying expectations can lead to success and changing perceptions.
This quote by George C. Wolfe illustrates the struggle of breaking stereotypes and societal norms, especially in creative fields. It highlights how personal ambition can clash with established conventions, yet through determination and success, one can reshape those conventions and challenge the definitions of identity and profession.
In practice
In a motivational speech addressing young artists about breaking traditional roles.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
A musical is what happens when text collides with motion collides with song collides with spectacle. And spectacle can be the human heart; it doesn't necessarily have to be a helicopter crashing.
The wonderful thing about theater is that it has so many people involved in the creation of it. The worst thing about theater is that it has so many people involved in the creation of it. That dynamic is thrilling and challenging every time you make a show.
I was raised to believe that other people's suffering was my responsibility.
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's astounding to me. And horrifying to me.
I struggled for a while, but when I was cast in an Off Broadway show called 'Once Upon a Mattress,' that kind of put me on the map.
When I look at my situation, yes, there were a lot of things... small school, didn't play much... but I knew that when I played, I won. And I also played in more of a pro system, so I understood the game of football. That helped me translate when I finally did get my opportunity.
I've been very lucky. All I wanted was to pay the rent. Then these characters took off and suddenly there were Hulk coffee mugs and Iron Man lunchboxes and The Avengers sweatshirts everywhere. Money's okay, but what I really like is working.
Teamwork is the foundation of success. The three universal questions that an individual asks of his coach, player, employee, employer are: Can I trust you? Are you committed to excellence? And, do you care about me?
A champion is afraid of losing. Everyone else is afraid of winning.
What could be better than walking down any street in any city and knowing you're the heavyweight champion of the world?
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