O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
Henry Wadsworth LongfellowRead
And the night shall be filled with music, And the cares, that infest the day, Shall fold their tents like the Arabs, and silently steal away.
Interpretation
This quote suggests that music has the power to soothe and transform our worries into peace during the nighttime.
In this quote by Henry Wadsworth Longfellow, the imagery of night filled with music implies a world where troubles are alleviated and replaced with beauty. The comparison of cares to tents being folded and stolen away evokes a sense of tranquility, indicating that music can act as a balm for life's stresses, allowing us to escape the burdens of the day and embrace serenity in the night.
In practice
In a speech about the healing power of music, this quote can beautifully highlight its impact on emotional well-being.
O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
There are moments in life, when the heart is so full of emotion That if by chance it be shaken, or into its depths like a pebble Drops some careless word, it overflows, and its secret, Spilt on the ground like water, can never be gathered together.
Perseverance is a great element of success. If you only knock long enough and loud enough at the gate, you are sure to wake up somebody.
To be seventy years old is like climbing the Alps. You reach a snow-crowned summit, and see behind you the deep valley stretching miles and miles away, and before you other summits higher and whiter, which you may have strength to climb, or may not. Then you sit down and meditate and wonder which it will be.
God is not dead; nor doth He sleep; ... _x000D_ The wrong shall fail,_x000D_ The right prevail,_x000D_ With peace on earth, good will to men.
In the long run men hit only what they aim at.
The picture is not made by the photographer, the picture is more good or less good in function of the relationship that you have with the people you photograph.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
In the Led Zeppelin shows of the Sixties and Seventies, it was the same numbers every night, but they were constantly in a state of flux. If I played something good, really substantial, I'd stick it in again.
To speak today of a famous novelist is like speaking of a famous cabinetmaker or speedboat designer. Adjective is inappropriate to noun.
Natural beauty is essentially temporary and sad, hence the impression of obscene mockery which artificial flowers give us.
All architecture has a public nature, I believe, so I would like to make a public space.
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