Life never presents us with anything which may not be looked upon as a fresh starting point, no less than as a termination.
Andre GideRead
It is with noble sentiments that bad literature gets written.
Interpretation
Bad literature often stems from good intentions and noble feelings.
In this quote, Andre Gide suggests that the creation of inferior literary works can occur even when the author is driven by noble intentions and sentiments. This implies that good intentions alone may not suffice for producing quality literature, as skill and understanding are also essential in the art of writing.
In practice
During a literary discussion, one might use this quote to point out that not all work with good intentions resonates with audiences.
Life never presents us with anything which may not be looked upon as a fresh starting point, no less than as a termination.
Do not do what someone else could do as well as you. Do not say, do not write what someone else could say, could write as well as you. Care for nothing in yourself but what you feel exists nowhere else. And, out of yourself create, impatiently or patiently, the most irreplaceable of beings.
Old hands soil, it seems, whatever they caress, but they too have their beauty when they are joined in prayer. Young hands were made for caresses and the sheathing of love. It is a pity to make them join too soon.
Through fear of resembling one another, through horror of having to submit, through uncertainty as well, through skepticism and complexity, there is a multitude of individual little beliefs for the triumph of strange little individuals.
It is the special quality of love not to be able to remain stationary, to be obliged to increase under pain of diminishing.
I intend to bring you strength, joy, courage, perspicacity, defiance.
Even though I read voraciously as a child, I never saw myself in books. Without narratives to expand my ideas of who I could be, I accepted the stories others told me about myself, stories which diminished and belittled me and people like me. I want to write against that.
I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.
There are books so alive that you're always afraid that while you weren't reading, the book has gone and changed, has shifted like a river; while you went on living, it went on living too, and like a river moved on and moved away. No one has stepped twice into the same river. But did anyone ever step twice into the same book?
Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.
I found literary idols in Adrienne Kennedy, Nella Larsen, and Ntozake Shange, writers who'd dared to locate a sanctioned, forbidden space between white vulnerability and black invincibility.
To Southerners like my mother, 'Gone With the Wind' was not just a book; it was an answer, a clenched fist raised to the North, an anthem of defiance.
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