I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
Georgia O'KeeffeRead
Nothing is less real than realism. Details are confusing. It is only by selection, by elimination, by emphasis, that we get at the real meaning of things.
Interpretation
This quote emphasizes that realism can be misleading and that true understanding comes from focusing on specific details.
Georgia O'Keeffe suggests that what we perceive as 'realism' is often an illusion, as it can be cluttered with too many details that distract us from the essence of meaning. Instead, she argues that to uncover profound insights, we must selectively emphasize and eliminate elements that do not contribute to our understanding, allowing us to grasp the true essence of the subject.
In practice
In a discussion about modern art, this quote can highlight the subjectivity of interpretation.
I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
You are one of my nicest thoughts.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Singing has always seemed to me the most perfect means of expression.
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
Interpretation is the revenge of the intellectual upon art.
If I go to the museum and see white bodies, black bodies, Asian bodies, Latino bodies, then I will expect to see those things every time I go. That matters a lot.
I see my finished platinum print (in the viewfinder) in all its desired qualities, before my exposure.
I often conduct an orchestra in my sleep; my orchestras are so huge that the back desks of the violas vanish into the horizon. And everything is so wonderful.
So much of what I love about poetry lies in the vast possibilities of voice, the spectacular range of idiosyncratic flavors that can be embedded in a particular human voice reporting from the field. One beautiful axis of voice is the one that runs between vulnerability and detachment, between 'It hurts to be alive' and 'I can see a million miles from here.' A good poetic voice can do both at once.
Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture.
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