No poet is ever completely lost. He has the secret of his childhood safe with him, like some secret cave in which he can kneel. And, when we read his poetry, we can join him there.
Peter AckroydRead
Why should a novelist not also be a historian? To force unnatural divisions within the English language is to work against its capacious and accommodating nature. To expect a writer to produce only novels, or only histories, is equivalent to demanding from a composer that he or she write only string quartets or piano sonatas.
Interpretation
A novelist can draw from history without restriction, just as a composer can use various musical forms.
In this quote, Peter Ackroyd argues against the artificial separation of literary genres, suggesting that writers should have the freedom to blend forms, such as fiction and history. He compares this creative freedom in writing to that of a composer, who is not limited to one style or type of music, highlighting the expansive and inclusive nature of the English language and artistic expression.
In practice
During a literary workshop, this quote can emphasize the importance of creativity and genre-blending in writing.
No poet is ever completely lost. He has the secret of his childhood safe with him, like some secret cave in which he can kneel. And, when we read his poetry, we can join him there.
It may seem unfashionable to say so, but historians should seize the imagination as well as the intellect. History is, in a sense, a story, a narrative of adventure and of vision, of character and of incident. It is also a portrait of the great general drama of the human spirit.
Art is either plagiarism or revolution.
I try to create sympathy for my characters, then turn the monsters loose.
When Coleridge tried to define beauty, he returned always to one deep thought; beauty, he said, is unity in variety! Science is nothing else than the search to discover unity in the wild variety of nature,-or, more exactly, in the variety of our experience. Poetry, painting, the arts are the same search, in Coleridge's phrase, for unity in variety.
Without atmosphere a painting is nothing.
If I had to put a name to it, I would wish that all my books were entertainments. I think the first thing you've got to do is grab the reader by the ear, and make him sit down and listen. Make him laugh, make him feel. We all want to be entertained at a very high level.
It is not enough to place colors, however beautiful, one beside the other; colors must also react on one another. Otherwise, you have cacophony.
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