The original sense of the word 'influence' is 'to flow into.' For the most part, these writers that I admire... their style flows into me without my intervention, which is what explains the broad range of writers who I've been compared with; it reflects my reading.
I am a novelist. I traffic in subtleties, and my goal in writing a novel is to leave the reader not knowing what to think. A good novel shouldn't have a point.
Interpretation
What this quote means
This quote emphasizes the complexity and ambiguity that can be present in literature, suggesting that novels should provoke thought rather than provide clear conclusions.
Teju Cole's quote highlights the essence of what a novelist aims to achieve: to create a narrative that immerses the reader in subtleties and nuances, fostering an environment where personal interpretations take precedence. By stating that a good novel shouldn't have a definitive point, he suggests that the richness of a story lies in its ability to evoke divergent thoughts and emotions, allowing for a more profound engagement with the text.
Themes
In practice
Example use cases
This quote could be shared during a workshop on creative writing to encourage aspiring authors to embrace complexity.
More from Teju Cole
All quotes βThe banality of evil transmutes into the banality of sentimentality. The world is nothing but a problem to be solved by enthusiasm.
I'm not trying to be a poet on Twitter; I'm trying to be aware of the fact that a very simple sentence, well written, can have a very moving effect without that person knowing why. There's a deep genetic part of you that somehow, even without your permission, recognizes good language when it arrives.
To be alive, it seemed to me, as I stood there in all kinds of sorrow, was to be both original and reflection, and to be dead was to be split off, to be reflection alone.
We don't experience our lives as plots. If I asked you to tell me what your last week was like, you're not really gonna give me plot. You're gonna give me sort of linked narrative. And I wanted to see how do we bring that into fiction without losing the reader.
Each neighborhood of the city appeared to be made of a different substance, each seemed to have a different air pressure, a different psychic weight: the bright lights and shuttered shops, the housing projects and luxury hotels, the fire escapes and city parks.
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Although I am losing my Soviet citizenship, I do not cease to be a Russian poet.
I feel like a lot of the fundamental material, I've assimilated. So now the question is: Am I going to really get into my spiritual inheritance of music and really develop my abilities?
My feeling is that poetry is also a healing process, and then when a person tries to write poetry with depth or beauty, he will find himself guided along paths which will heal him, and this is more important, actually, than any of the poetry he writes.
Most of the time one is discouraged by the work, but now and again by some grace something stands out and invites you to work on it, to elaborate it or animate it in some way. It's a mysterious process.
I have never followed fashion. What is fashion to me? I just think of things that inspire me, that inspire women, and I design that way.
I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault.