If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
Jhumpa LahiriRead
Oddly, I feel more protected when I write in Italian, even though I'm also more exposed.
Interpretation
Writing in a foreign language provides both a sense of safety and vulnerability.
In this quote, Jhumpa Lahiri expresses the paradox of writing in a non-native language, Italian, where she feels a protective barrier because it is separate from her personal life while simultaneously feeling more exposed due to the challenge and intimacy required in using a foreign tongue. This duality highlights the complexities of identity, expression, and the therapeutic aspects of language.
In practice
In a writing workshop discussing the emotional journey of multilingual writers.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
When I am experiencing a complex story or novel, the broader planes, and also details, tend to fall away.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
If we look at the world with a deluded body and mind, we will think that our self is permanent. But if we practice correctly and return to our true self, we will realize that nothing is permanent
Beauty is a short-lived tyranny.
Imagination is a danger thus every totalitarian regime is frightened of the artist. It is the vocation of the prophet to keep alive the ministry of imagination to keep on conjouring and proposing alternative futures to the single one the king wants to urge as the only thinkable one.
There is nothing so fleeting as the memory of benefits received.
She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening. from "The Lady of the Haunted House
Neither Pagan nor Mahamedan nor Jew ought to be excluded from the civil rights of the Commonwealth because of his religion. -quoting John Locke's argument.
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