If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
Jhumpa LahiriRead
Oddly, I feel more protected when I write in Italian, even though I'm also more exposed.
Interpretation
Writing in a foreign language provides both a sense of safety and vulnerability.
In this quote, Jhumpa Lahiri expresses the paradox of writing in a non-native language, Italian, where she feels a protective barrier because it is separate from her personal life while simultaneously feeling more exposed due to the challenge and intimacy required in using a foreign tongue. This duality highlights the complexities of identity, expression, and the therapeutic aspects of language.
In practice
In a writing workshop discussing the emotional journey of multilingual writers.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
When I am experiencing a complex story or novel, the broader planes, and also details, tend to fall away.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
I'm not interested in using my father's death as some touch point for why I've become an actor - it's grossly opportunistic.
Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
Historians are prophets with their face turned backward.
The sight of the little madeleine had recalled nothing to my mind before I tasted it...
Wrong does not cease to be wrong because the majority share in it.
The test of all beliefs is their practical effect in life. If it be true that optimism compels the world forward, and pessimism retards it, then it is dangerous to propagate a pessimistic philosophy.
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