However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
Samuel R. DelanyRead
All too often, when creative people pick out someone else's creative work as an inspiration, what they end up with is very, very far from the original.
Interpretation
Creative inspiration can lead artists to develop work that diverges significantly from the original source.
This quote by Samuel R. Delany highlights the phenomenon where creative individuals, when influenced by someone else's work, often produce results that are drastically different from the inspiration they initially drew from. It suggests that while inspiration is important, the unique interpretation and personal expression of the artist can transform an idea to the extent that it no longer resembles its original form.
In practice
An art class discussing the influence of famous painters on contemporary artists.
However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
The only important elements in any society are the artistic and the criminal, because they alone, by questioning the societyβs values, can force it to change.
How we treat our invalids - our mad, our physically or mentally compromised family members - does tell you something about who we are politically, historically, culturally.
It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind.
The poems ... are moments when I had the intensity to see, and the energy to build, some careful analog that completed the seeing. ... All I have been left is the exhausting habit of trying to tack up the slack in my life with words.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
In Jazz, improvisation isn't a matter of just making any ol' thing up. Jazz, like any language, has its own grammer and vocabulary. There's no right or wrong, just some choices that are better than others.
I knew I had to write a Mass of my own, but a real one.
With me every peep becomes a trumpet solo.
I originally wanted to embrace the imagery and forthrightness of rap music. There are some interesting, dynamic voices in rap. But I find most of it irresponsible in its overt violence and commercialization of anger. As artists, we believe we can will action through language. If that's the case, we have to take responsibility for what we say.
Long before I started to write in earnest, Lorrie Moore taught me you could have a woman narrator who was funny and complex and even wrongheaded. She opened up a lot of space that me and a million other women rushed into.
The arts have always served relationships between people of different cultures so well. In a way, the arts function as a very serious kind of ambassador.
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