However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
Samuel R. DelanyRead
All too often, when creative people pick out someone else's creative work as an inspiration, what they end up with is very, very far from the original.
Interpretation
Creative inspiration can lead artists to develop work that diverges significantly from the original source.
This quote by Samuel R. Delany highlights the phenomenon where creative individuals, when influenced by someone else's work, often produce results that are drastically different from the inspiration they initially drew from. It suggests that while inspiration is important, the unique interpretation and personal expression of the artist can transform an idea to the extent that it no longer resembles its original form.
In practice
An art class discussing the influence of famous painters on contemporary artists.
However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
The only important elements in any society are the artistic and the criminal, because they alone, by questioning the societyβs values, can force it to change.
How we treat our invalids - our mad, our physically or mentally compromised family members - does tell you something about who we are politically, historically, culturally.
It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind.
The poems ... are moments when I had the intensity to see, and the energy to build, some careful analog that completed the seeing. ... All I have been left is the exhausting habit of trying to tack up the slack in my life with words.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
Art-making is not about telling the truth but making the truth felt
Eschew the monumental. Shun the Epic. All the guys who can paint great big pictures can paint great small ones.
I think a playwright realizes after he finishes working on the script that this is only the beginning. What will happen when it moves into three dimensions?
If a serious statement is defined as one that may be made in terms of waking life, poetry will never rise to the level of seriousness. It lies beyond seriousness, on that more primitive and original level where the child, the animal, the savage, and the seer belong, in the region of dream, enchantment, ecstasy, laughter. To understand poetry we must be capable of donning the child's soul like a magic cloak and of forsaking man's wisdom for the child's.
No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!
What a great poem teaches you - and it's not intellectual at all - is the resonance in the language that's heard there. This goes back to the very origins of poetry and to the very origins of language.
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