The title of hero is bestowed by the survivors upon the fallen, who themselves know nothing of heroism.
If a serious statement is defined as one that may be made in terms of waking life, poetry will never rise to the level of seriousness. It lies beyond seriousness, on that more primitive and original level where the child, the animal, the savage, and the seer belong, in the region of dream, enchantment, ecstasy, laughter. To understand poetry we must be capable of donning the child's soul like a magic cloak and of forsaking man's wisdom for the child's.
Interpretation
What this quote means
Poetry transcends the seriousness of waking life and connects us to a more primitive, joyful essence.
This quote suggests that poetry exists in a realm beyond conventional seriousness. It evokes the idea that to truly appreciate poetry, one must embrace a childlike perspective, allowing oneself to experience emotions like enchantment and ecstasy that are often lost in adult rationality. Huizinga emphasizes the importance of intuition and imagination, illustrating how poetry resonates with the deeper, dreamlike aspects of human experience.
Themes
In practice
Example use cases
In a speech about creativity, one might say, 'As Johan Huizinga noted, to truly appreciate poetry, one must embrace a childlike imagination.'
More from Johan Huizinga
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History can predict nothing except that great changes in human relationships will never come about in the form in which they have been anticipated.
The susceptibility of the average modern to pictorial suggestion enables advertising to exploit his lessened power of judgment.
Similar quotes
The whole Mediterranean, the sculpture, the palm, the gold beads, the bearded heroes, the wine, the ideas, the ships, the moonlight, the winged gorgons, the bronze men, the philosophers - all of it seems to rise in the sour, pungent taste of these black olives between the teeth. A taste older than meat, older than wine. A taste as old as cold water.
The task of a writer consists of being able to make something out of an idea.
People on the outside think there's something magical about writing, that you go up in the attic at midnight and cast the bones and come down in the morning with a story, but it isn't like that. You sit in back of the typewriter and you work, and that's all there is to it.
My concern has always been to paint nudes as if they were some splendid fruit.
Whenever you are creating beauty around you, you are restoring your own soul.
Our passions shape our books, repose writes them in the intervals.