There is no complete spiritual life without music, for the human soul has regions which can be illuminated only by music.
Zoltan KodalyRead
Often a single experience will open the young soul to music for a whole lifetime
Interpretation
One profound musical experience can profoundly impact a person's appreciation of music for life.
Zoltan Kodaly emphasizes the transformative power of music in one's life, particularly highlighting that a singular, impactful encounter with music can awaken an enduring passion and appreciation for it. This suggests that music has the potential to shape our emotions and experiences, influencing our souls in profound and lasting ways.
In practice
This quote can be used in a discussion about the importance of exposure to the arts in education.
There is no complete spiritual life without music, for the human soul has regions which can be illuminated only by music.
Let us take our children seriously! Everything else follows from this... only the best is good enough for a child.
Our age of mechanization leads along a road ending with man himself as a machine. Only the spirit of singing can save us from this fate.
Teach music and singing at school in such a way that it is not a torture but a joy for the pupil; instill a thirst for finer music in him, a thirst which will last for a lifetime.
To teach a child an instrument without first giving him preparatory training and without developing singing, reading and dictating to the highest level along with the playing is to build upon sand.
I won't get into it any more than to say that there are parts of me in all the songs that I write.
Yes, I get dry spells. Sometimes I can't turn out a thing for three months. When one of those spells comes on I quit trying to work and go out and see something of life. You can't write a story that's got any life in it by sitting at a writing table and thinking. You've got to get out into the streets, into the crowds, talk with people, and feel the rush and throb of real life-that's the stimulant for a story writer.
'The Machinist' changed me. I learned that I really enjoy, literally, not saying a damned word for days at a time, except for what was in the scene. Whole days of... nothing. Just... standing still. I know a lot of people found it bizarre, because they'd be standing right next to me thinking, 'Why aren't we talking? What's going on?'
In our hurried world too little value is attached to the part of the connoisseur and dilettante.
And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
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