For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.
Sam ShepardRead
Oh, the shark has pretty teeth, dear,_x000D_ _x000D_ And he shows them pearly white._x000D_ _x000D_ Just a jackknife has Macheath, dear,_x000D_ _x000D_ And he keeps them out of sight.
Interpretation
This quote uses the imagery of a shark to suggest that danger can be hidden behind a charming exterior.
The lines illustrate the contrast between outward appearances and hidden dangers. The shark, often seen as a fearsome creature, possesses 'pretty teeth' that lure attention, paralleling how different individuals or situations might hide malevolence beneath a pleasing facade. The reference to 'jackknife' suggests a similarly deceptive character, reminding us to be vigilant and not take surface qualities at face value.
In practice
In a discussion about trust and betrayal, one might say, 'Oh, the shark has pretty teeth, dear.'
For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.
My goal is for 'Heavy Rain' to leave an imprint in you and change a little bit of who you are and how you see things. Maybe the key characters and key moments will leave a trace in you. If you don't have this ambition as a video-game creator, then maybe you should do something else, because this is what creation and art is about.
Plot, rules, nor even poetry, are not half so great beauties in tragedy or comedy as a just imitation of nature, of character, of the passions and their operations in diversified situations.
Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
Good design is a lot like clear thinking made visual.
I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.
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