I'm the one that's got to die when it's time for me to die, so let me live my life the way I want to.
Jimi HendrixRead
I just hate to be in one corner. I hate to be put as only a guitar player, or either only as a songwriter, or only as a tap dancer. I like to move around.
Interpretation
The quote expresses Jimi Hendrix's desire for artistic freedom and versatility.
Jimi Hendrix articulates his disdain for being confined to a single role or label, such as being seen merely as a guitarist, songwriter, or dancer. Instead, he values the ability to explore and express himself across a variety of artistic mediums, embodying the spirit of creativity and the importance of not being limited by societal classifications.
In practice
During a speech at an art festival to emphasize the importance of creative expression.
I'm the one that's got to die when it's time for me to die, so let me live my life the way I want to.
Technically, I'm not a guitar player, all I play is truth and emotion.
I try all night to play a pretty note.
The story of life is quicker then the blink of an eye, the story of love is hello, goodbye.
It's time for a new National Anthem. America is divided into two definite divisions. The easy thing to cop out with is sayin' black and white. You can see a black person. But now to get down to the nitty-gritty, it's getting' to be old and young - not the age, but the way of thinking. Old and new, actually... because there's so many even older people that took half their lives to reach a certain point that little kids understand now.
... with Voodoo Child somebody was filming when we started doing that. We did that about three times because they wanted to film us in the studio, to make us (imitates a pompous voice) 'make it look like you're recording boys' - one of them scenes, you know, so okey, let's play this and then we went into Voodoo Child
I am very happy to design haute couture. It's a love story between couture and me.
I would like to paint the way a bird sings.
It was thought, perception, sensations that interested her, the conscious mind as a river through time, and how to represent its onward roll, as well as all the tributaries that would swell it, and the obstacles that would divert it. If only she could reproduce the clear light of a summer's morning.
I've always believed that a dance evening energizes an audience, that an audience goes out feeling chemically stronger and more optimistic. This is what I understand about dance. And this is an important thing. We need this. Our culture needs it.
Being a Negro writer these days is a racket and I'm going to make the most of it while it lasts. About twice a year I sell a story. It is acclaimed. I am a genius in the making. Thank God for this Negro literary renaissance. Long may it flourish
What I need most of all is color, always, always.
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