I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Derek WalcottRead
There is no one more deserving of a place in Poets' Corner. Ted Hughes introduced a new kind of landscape into English poetry. The most compelling aspect of his work was his intimacy with nature.
Interpretation
Derek Walcott emphasizes Ted Hughes' unique contribution to poetry through his deep connection with nature.
In this quote, Derek Walcott praises Ted Hughes' significant impact on English poetry, particularly highlighting his ability to portray landscapes and nature with an intimate lens. Walcott suggests that Hughes deserves recognition for his innovative approach, which brings a fresh perspective and emotional depth to the representation of the natural world in poetry.
In practice
In a discussion on the influence of nature in poetry, this quote can be used to highlight Ted Hughes' importance.
I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
My mother was a schoolteacher and very, very encouraging. She understood what it meant when I said I wanted to be a writer; both me and my brother wrote.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
The truest writers are those who see language not as a linguistic process but as a living element.
Any film that supports the idea that things can be changed is a great film in my eyes.
I knew even if I'm a cowboy, I'm going to be involved in jazz in some way.
I feel like for me to write songs that I would be interested in as a listener, there has to be tension, and there has to be some kind of push and pull between reality and the potential of disaster.
A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.
Movies are a fad. Audiences really want to see live actors on a stage.
I am trying to counter the fixity of architectures, their stolidity, with elements that give an ineffable immaterial quality.
Subscribe for the occasional hand-picked quote. No noise.