One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
Interpretation
The quote highlights the importance of mythology in making sense of the complexities of life.
Clive Barker emphasizes the role of mythology in shaping our understanding of chaotic experiences. By creating new mythologies, he aims to provide frameworks that allow individuals to recognize patterns and hierarchies in the complexities of the world, ultimately helping them find meaning amidst confusion. This reflects a belief in the transformative power of storytelling and imagination as tools for interpretation and understanding.
In practice
This quote can be used in a lecture about the significance of storytelling in culture.
Of course it’s the apparently tranquil periods that deceive us. Though our instruments or our senses or our wits may not be able to see the processes that are leading toward these clusters of events, they’re happening. The star, the wheel, the butterfly—all are in a subtle state of unrest, waiting for the moment when some invisible mechanism signals that the time has come. Then the star explodes; the wheel makes poor men rich; the butterfly mates and dies.
We’re too much ourselves. Afraid of letting go of what we are, in case we are nothing, and holding on so tight, we lose everything else.
In this sense love is of a different order to any other phenomenon, for it may be both an event and a sign of that invisible mechanism I spoke of before; perhaps the finest sign, the most certain. In it’s throes we need neither luck nor science. We are the wheel, and the man who profits by it. We are the star, and the darkness it pierces. We are the butterfly, brief and beautiful.
Perhaps a wiser eye than hers would be able to read tomorrow in tonight's stars, but where was the fun in that? It was better not to know. Better to be alive in the Here and the Now--in this bright, laughing moment--and let the Hours to come take care of themselves.
With the inevitability of a tongue returning to probe a painful tooth, we come back and back and back again to our fears, sitting to talk them over with the eagerness of a hungry man before a full and steaming plate.
You cut up a thing that's alive and beautiful to find out how it's alive and why it's beautiful, and before you know it, it's neither of those things, and you're standing there with blood on your face and tears in your sight and only the terrible ache of guilt to show for it.
You are only here now; you're only alive in this moment.
Solitary confinement is too terrible a punishment to inflict on any human being, no matter what his crime. Hardened criminals in the men's prisons, it is said, often beg for the lash instead.
Arrakis teaches the attitude of the knife - chopping off what's incomplete and saying: "Now it's complete because it's ended here."
The four characteristics of humanism are curiosity, a free mind, belief in good taste, and belief in the human race.
Stories cannot demolish frontiers, but they can punch holes in our mental walls, and through those holes we can get a glimpse of the other and sometimes even like what we see.
Were the offer made true, I would engage to run again, from beginning to end, the same career of life. All I would ask should be the privilege of an author, to correct, in a second edition, certain errors of the first.
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