Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
Olivia De HavillandRead
What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'
Interpretation
The quote expresses frustration with superficial roles in films that focus solely on simple romantic plots.
Olivia De Havilland's quote highlights her dissatisfaction with the limited and often simplistic roles available to actors in the film industry, particularly those that revolve around conventional, clichΓ©d narratives like 'Boy Meets Girl.' She critiques the tendency of filmmakers to rely on one-dimensional character arcs that sacrifice depth and complexity for the sake of portraying predictable romantic storylines.
In practice
During a film panel discussion about character development, this quote can highlight the importance of depth in storytelling.
Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
He adored New York City. He idolized it all out of proportion... no, make that: he - he romanticized it all out of proportion. Yes. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.
Movies become living organisms that graduate from a filmmaker's sphere of influence and pretty much look back and tell you how they need to be said goodbye to. A movie often turns around and looks at you and says, "Here is who I am, and that's maybe now how you see me, but that's who I've become." And you've got to be open enough to go with that.
So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.
My entire soul is a cry, and all my work is a commentary on that cry.
But in many orders of beauty, particularly those of the finer arts, it is requisite to employ much reasoning, in order to feel the proper sentiment; and a false relish may frequently be corrected by argument and reflection. There are just grounds to conclude, that moral beauty partakes of this latter species, and demands the assistance of our intellectual faculties, in order to give it a suitable influence on the human mind.
Poetry is that / which arrives at the intellect / by way of the heart.
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