The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare.
John BergerRead
To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude. (The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display. To be naked is to be without disguises.
Interpretation
Nakedness expresses authenticity, while nudity objectifies the body.
John Berger's quote distinguishes between being naked and being nude. To be naked signifies a state of being genuine and vulnerable, where one reveals their true self without any barriers or pretenses. In contrast, to be nude involves being exposed physically in a manner that is more about how others perceive the body than the individual’s authenticity, often reducing the person to an object rather than recognizing their humanity.
In practice
In an art class discussing the human form, this quote emphasizes the importance of authenticity in representation.
The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates them. It seems to me it's something that theatre can do, but it's rare; it's very rare.
Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.
We never look at just one thing; we are always looking at the relation between things and ourselves.
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
Propaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
Being a unique superpower undermines the military intelligence of strategy. To think strategically, one has to imagine oneself in the enemy's place. If one cannot do this, it is impossible to foresee, to take by surprise, to outflank. Misinterpreting an enemy can lead to defeat. This is how empires fall.
It is in order to really see, to see ever deeper, ever more intensely, hence to be fully aware and alive, that I draw what the Chinese call 'The Ten Thousand Things' around me. Drawing is the discipline by which I constantly rediscover the world. I have learned that what I have not drawn, I have never really seen, and that when I start drawing an ordinary thing, I realize how extraordinary it is, sheer miracle.
My kitchen is a mystical place, a kind of temple for me. It is a place where_x000D_ _x000D_ the surfaces seem to have significance, where the sounds and odors carry_x000D_ _x000D_ meaning that transfers from the past and bridges to the future.
Because for whatever reason, even though I want to stay home all the time and be left alone, I want to tell the world who I am now.
Modern storytellers are the descendants of an immense and ancient community of holy people, troubadours, bards, griots, cantadoras, cantors, traveling poets, bums, hags, and crazy people.
After a while, the characters I'm writing begin to feel real to me. That's when I know I'm heading in the right direction
The curious thing about the Ready-Made is that I've never been able to arrive at a definition or explanation that fully satisfies me. There's still magic in the idea, so I'd rather keep it that way than try to be exoteric about it.
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