Knowledge is like money: to be of value it must circulate, and in circulating it can increase in quantity and, hopefully, in value.
Louis L'AmourRead
I think of myself in the oral tradition-as a troubadour, a village tale-teller, _x000D_ the man in the shadows of the campfire. That's the way I'd like to be remembered-_x000D_ as a storyteller. A good storyteller.
Interpretation
This quote highlights the importance of storytelling as a vital cultural tradition and personal legacy.
In this quote, Louis L'Amour reflects on his identity as a storyteller, likening himself to a troubadour or a village tale-teller whose role is to share stories that connect people and preserve culture. He expresses a desire to be remembered for his ability to weave narratives that resonate and leave an impact on those who hear them, emphasizing the value of storytelling in human experience.
In practice
In a speech about preserving culture, one might quote L'Amour to emphasize the importance of storytelling.
Knowledge is like money: to be of value it must circulate, and in circulating it can increase in quantity and, hopefully, in value.
One who returns to a place sees it with new eyes. Although the place may not have changed, the viewer inevitably has. For the first time things invisible before become suddenly visible.
Once you have read a book you care about, some part of it is always with you.
If you wait for inspiration, you're not a writer, but a waiter.
Books are the perfect Time Machine. By the simple act of opening a book you can, in an instant, be travelling up a jungle river without once being bitten by mosquitoes, or you can almost die of thirst in the desert while holding a cold drink in your hand, or dine in the finest restaurants and never have to worry about paying the bill, or ride the wild country of our western frontier and never worry about losing your scalp to a raiding party.
Adventure is just a romantic name for trouble. It sounds swell when you write about it, but it's hell when you meet it face to face in a dark and lonely place.
I don't choose to make low-budget films. But that is the reality of surviving in the Japanese film industry. However, the trade off is, since we're working on small budgets, we have freedom. You can't buy this freedom with money. With this freedom, I think there are an infinite number of possibilities.
I travel in gardens and bedrooms, basements and attics, around corners, through doorways and windows, along sidewalks, over carpets, down drainpipes, in the sky, with friends, lovers, children and heros; perceived, remembered, imagined, distorted and clarified.
The most important message is to let me just focus on making the most beautiful normcore clothes, but as luxurious as possible.
What I need most of all is color, always, always.
It is a funny thing, but when I am making music, all the answers I seek for in life seem to be there, in the music. Or rather, I should say, when I am making music, there are no questions and no need for answers.
I am a poet who composes what life proses, and who proses what life composes.
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