We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
Tom RobbinsRead
I travel in gardens and bedrooms, basements and attics, around corners, through doorways and windows, along sidewalks, over carpets, down drainpipes, in the sky, with friends, lovers, children and heros; perceived, remembered, imagined, distorted and clarified.
Interpretation
The quote reflects the diverse experiences and perceptions one can have in life through the lens of imagination and relationships.
Tom Robbins' quote captures the essence of exploration and the myriad of places we encounter in life, both physically and imaginatively. It emphasizes how our experiences are shaped not just by our surroundings, but also by the relationships we form and the memories we create, suggesting that life is a rich tapestry woven from various moments and emotions.
In practice
This quote can be used in a speech about the importance of adventure in life.
We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
There are many things worth living for, a few things worth dying for, and nothing worth killing for.
The unhappy person resents it when you try to cheer him up, because that means he has to stop dwelling on himself and start paying attention to the universe. Unhappiness is the ultimate form of self-indulgence. When you're unhappy, you get to pay a lot of attention to yourself. You get to take yourself oh so very seriously.
I'm an outlaw, not a philosopher, but I know this much: there's meaning in everything, all things are connected, and a good champagne is a drink.' Bernard began to sing again. Timidly, Leigh-Cheri joined in. Between verses, they opened another bottle. The popping of its cork echoed throughout the great stone chamber. Of the three billion people on earth, only Bernard and Leigh-Cheri heard the popping of the cork and its echoes. Only Bernard and Leigh-Cheri passed out under the tablecloth.
The Divine was beyond description, beyond knowing, beyond comprehension. To say that the Divine was Creation divided by Destruction was as close as one could come to definition. But the puny of soul, the dull of wit, weren't content with that. They wanted to hang a face on the Divine. They went so far as to attribute petty human emotions - anger, jealousy, etc - to it, not stopping to realize that if God were a being, even a supreme being, our prayers would have bored him to death long ago.
On their sofas of spice and feathers, the concubines also slept fretfully. In those days the Earth was still flat, and people dreamed often of falling over edges.
If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another.
Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album. And it's not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.
Black storytelling can be about anything, absolutely anything, and within that it can be as enriching, as complex, beautiful, ugly as anything else. We are not seeing enough of those complexities on our stages.
I'm surprised by the talent I find all over. There are always new chefs who propose many interesting new ideas, new ways of looking at ingredients.
I think music is about our internal life. It’s part of the way people touch each other. That’s very precious to me. And astronomy is, in a sense, the very opposite thing. Instead of looking inwards, you are looking out, to things beyond our grasp.
When the artist is alive in any person, whatever his kind of work may be, he becomes an inventive, searching, daring, self-expressing creature.
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