The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
In whatever one does there must be a relationship between the eye and the heart.
Interpretation
This quote emphasizes the connection between perception and emotion in the creative process.
Henri Cartier-Bressonβs quote suggests that artistry and creativity stem from a deep interplay between visual observation and emotional experience. It implies that for true artistry to emerge, one must not only see with their eyes but also feel with their heart, establishing a relationship that allows for a more profound expression of ideas and feelings through art.
In practice
In a discussion on the importance of emotion in photography, one could use this quote to highlight the significance of feeling.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
There is nothing settled about a poet's identity. The becoming doesn't stop because the being has been achieved. They proceed together, attached in ways that are hard to be exact about.
What's swinging in words? If a guy makes you pat your foot and if you feel it down your back, you don't have to ask anybody if that's good music or not. You can always feel it.
I had a handful of records, but when I was 11 years old, I liked Puccini as much as Little Richard. They both made sense to me.
I experience a period of frightening clarity in those moments when nature is so beautiful. I am no longer sure of myself, and the paintings appear as in a dream.
I've loved the opportunity to learn about the fashion world and appreciate it as an art form, and I look forward to my continued education, but I never want it to take over my acting.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
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