The premonition of madness is complicated by the fear of lucidity in madness, the fear of the moments of return and reunion... One would welcome chaos if one were not afraid of lights in it.
Emile M. CioranRead
On Creating — What we crave, what we want to see in others eyes, is that servile expression, an unconcealed infatuation with our gestures.
Interpretation
This quote reflects the desire for acknowledgment and admiration of our creative expressions from others.
Emile M. Cioran's quote delves into the intrinsic human need for validation in our creative endeavors. It suggests that when we create, we often seek a profound appreciation from those around us, yearning for a connection that highlights the beauty of our gestures and expressions, thereby enhancing our sense of purpose and fulfillment.
In practice
During a speech about the importance of art in society.
The premonition of madness is complicated by the fear of lucidity in madness, the fear of the moments of return and reunion... One would welcome chaos if one were not afraid of lights in it.
We are afraid of the enormity of the possible.
There was a time when time did not yet exist. … The rejection of birth is nothing but the nostalgia for this time before time.
A marvel that has nothing to offer, democracy is at once a nation's paradise and its tomb.
Paradise was unendurable, otherwise the first man would have adapted to it; this world is no less so, since here we regret paradise or anticipate another one. What to do? Where to go? Do nothing and go nowhere, easy enough.
It is not worth the bother of killing yourself, since you always kill yourself too late.
Nothing in the world can be compared to the human face. It is a land one can never tire of exploring. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.
Dancing is, in itself, a very trifling and silly thing: but it is one of those established follies to which people of sense are sometimes obliged to conform; and then they should be able to do it well. And though I would not have you a dancer, yet, when you do dance, I would have you dance well, as I would have you do everything you do well.
Good directing is good writing and good casting.
Then the writing became so fluid that I sometimes felt as if I were writing for the sheer pleasure of telling a story, which may be the human condition that most resembles levitation.
Joy is the zest that you get out of using your talents, your understanding, the totality of your being, for great aims...That's the kind of feeling that goes with creativity. That's why I say the courage to create. Creation does not come out of simply what you're born with. That must be united with your courage, both of which cause anxiety, but also great joy.
You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.
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