Being Adam Parrish was a complicated thing, a wonder of muscles and organs, synapses and nerves. He was a miracle of moving parts, a study in survival. The most important thing to Adam Parrish, though, had always been free will, the ability to be his own master. This was the important thing. It had always been the important thing. This was what it was to be Adam.
I remembered the pain as clearly as if I were shifting — the pain of loss. I felt the agony of the single moment that I lost myself. Lost what made me Sam. The part of me that could remember Grace's name.
Interpretation
What this quote means
The quote reflects on the deep emotional pain associated with losing one's identity and connections with loved ones.
In this quote, Maggie Stiefvater expresses the profound impact of loss on one’s sense of self. The speaker recalls a moment of emotional agony tied to losing their identity and the cherished memories associated with a loved one. This loss not only signifies a personal void but also highlights the crucial tie between love and self-identity, emphasizing how intertwined our relationships are with who we are as individuals.
Themes
In practice
Example use cases
In a speech about coping with grief, one might say: 'As I've learned from my experiences, I remembered the pain as clearly as if I were shifting — the pain of loss.'
More from Maggie Stiefvater
All quotes →Hers was a memory made up of snapshorts: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile. It was a life I didn't want to leave behind. It was a life I didn't want to forget I wasn't done with it yet. There was so much more to say.
It was a sort of ferocious, quiet beauty, the sort that wouldn't let you admire it. The sort of beauty that always hurt.
This time of year, I live and breathe the beach. My cheeks feel raw with the wind throwing sand against them. My thighs sting from the friction of the saddle. My arms ache from holding up two thousand pounds of horse. I have forgotten what it is like to be warm and what a full night’s sleep feels like and what my name sounds like spoken instead of shouted across yards of sand. I am so, so alive.
I can tell you that as a writer and as a reader, I regard character as king. Or queen. No matter how riveting the action or interesting the plot twists, if I don't feel like I'm meeting someone who feels real, I'm not going to be compelled to read further.
I missed the sound of her shuffling her homework while I listened to music on her bed. I missed the cold of her feet against my legs when she climbed into bed. I missed the shape of her shadow where it fell across the page of my book. I missed the smell of her hair and the sound of her breath and my Rilke on her nightstand and her wet towel thrown over the back of her desk chair. It felt like I should be sated after having a whole day with her, but it just made me miss her more.
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