There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!
William Morris HuntRead
How are we going to make painters by lecturing to them? We are going to make questioners, doubters, and talkers. We are going to make painters by painting ourselves, and by showing the paintings of others. By working frankly from our convictions, we are going to make them work frankly from theirs.
Interpretation
True artistry comes from practice and personal conviction, not just from lectures.
William Morris Hunt emphasizes the idea that the best way to cultivate artistic talent is through active engagement and personal expression. Rather than merely instructing aspiring painters through lectures, he advocates for a hands-on approach that encourages inquiry, dialogue, and the direct experience of art, suggesting that real learning happens when individuals explore their own convictions and inspirations in painting.
In practice
In an art class, to inspire students to embrace their unique styles, the teacher quotes Hunt.
There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!
The mission of art is to represent nature not to imitate her.
Painting is the only universal language. All nature is creation's picture book. Painting alone can describe every thing which can be seen, and suggest every emotion which can be felt. Art reaches back into the babyhood of time, and is man's only lasting monument.
Art teaches you the philosophy of life, and if you can't learn it from art, you can't learn it at all. It shows you that there is no perfection. There is light, and there is shadow. Everything is in half tint.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
Any constraint is part of the skeleton that you build the composition on - including your own incompetence.
When I listen to 'Nevermind,' I hate the production, but there's something about it that almost makes me cry at times.
How happily, said Austerlitz, have I sat over a book in the deepening twilight until I could no longer make out the words and my mind began to wander, and how secure have I felt seated at the desk in my house in the dark night, just watching the tip of my pencil in the lamplight following its shadow, as if of its own accord and with perfect fidelity, while that shadow moved regularly from left to right, line by line, over the ruled paper.
The musician is perhaps the most modest of animals, but he is also the proudest. It is he who invented the sublime art of ruining poetry.
I feel that buildings often have a workaday aspect that you see during the daylight hours, and a more resplendent side that emerges after dark.
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