There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!
William Morris HuntRead
How are we going to make painters by lecturing to them? We are going to make questioners, doubters, and talkers. We are going to make painters by painting ourselves, and by showing the paintings of others. By working frankly from our convictions, we are going to make them work frankly from theirs.
Interpretation
True artistry comes from practice and personal conviction, not just from lectures.
William Morris Hunt emphasizes the idea that the best way to cultivate artistic talent is through active engagement and personal expression. Rather than merely instructing aspiring painters through lectures, he advocates for a hands-on approach that encourages inquiry, dialogue, and the direct experience of art, suggesting that real learning happens when individuals explore their own convictions and inspirations in painting.
In practice
In an art class, to inspire students to embrace their unique styles, the teacher quotes Hunt.
There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!
The mission of art is to represent nature not to imitate her.
Painting is the only universal language. All nature is creation's picture book. Painting alone can describe every thing which can be seen, and suggest every emotion which can be felt. Art reaches back into the babyhood of time, and is man's only lasting monument.
Art teaches you the philosophy of life, and if you can't learn it from art, you can't learn it at all. It shows you that there is no perfection. There is light, and there is shadow. Everything is in half tint.
Something in me was responding now as the audience responded, not in fear, but in some human way, to the magic of that fragile painted set, the mystery of the lighted world there.
To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
One of the obsessions that the Soviet Union and the Eastern European communist parties had was always controlling the message - all information that everybody gets has to be carefully controlled and monitored. Art was no exception.
I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.
As for the usefulness of poetry, its uses are many. It is the deification of reality.
To have the ability to withdraw into oneself and forget everything around one when one is creating - What, I think is the only requirement for being able to bring forth something beautiful. The whole thing is - a mystery.
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