When I am halfway there with a painting, it can occasionally be thrilling... But it happens very rarely; usually it's agony... I go to great pains to mask the agony. But the struggle is there. It's the invisible enemy.
Richard DiebenkornRead
I want a painting to be difficult to do. The more obstacles, obstructions, problems - if they don't overwhelm - the better. I would like to feel that I am involved at any stage of the painting with all its moments, not just this 'now' moment where a superficial grace is so available.
Interpretation
Art should challenge the creator, making the process engaging and complex.
In this quote, Richard Diebenkorn expresses the idea that creating art should not be a simple or easy endeavor. He believes that the presence of obstacles and challenges adds depth to the creative process, allowing the artist to feel a deeper connection with their work that extends beyond mere aesthetics. The journey of creation, with all its struggles, is what enriches the experience and the final outcome.
In practice
In a discussion about the creative process in art class.
When I am halfway there with a painting, it can occasionally be thrilling... But it happens very rarely; usually it's agony... I go to great pains to mask the agony. But the struggle is there. It's the invisible enemy.
In a successful painting everything is integral - all the parts belong to the whole. If you remove an aspect or element you are removing its wholeness.
All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression. To call this expression abstract seems to me often to confuse the issue. Abstract means literally to draw from or separate. In this sense every artist is abstract . . . a realistic or non-objective approach makes no difference. The result is what counts.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between.
You may choose your words like a connoisseur, _x000D_ And polish it up with art, _x000D_ But the word that sways, and stirs, and stays, _x000D_ Is the word that comes from the heart.
Writing can be taken up at any point. But you need to remember that the arts are fundamentally unfair. Hard work and diligence won't necessarily take you all the way. Talent, nepotism, influence, and pure luck play a huge part.
Poetry allies itself with beauty - a supreme union - but never uses it as its ultimate goal or sole nourishment.
The heaventree of stars hung with humid nightblue fruit.
If I choose to write about sheep, it's just because I happened to write about sheep. There is no deep significance.
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