When I am halfway there with a painting, it can occasionally be thrilling... But it happens very rarely; usually it's agony... I go to great pains to mask the agony. But the struggle is there. It's the invisible enemy.
Richard DiebenkornRead
I want a painting to be difficult to do. The more obstacles, obstructions, problems - if they don't overwhelm - the better. I would like to feel that I am involved at any stage of the painting with all its moments, not just this 'now' moment where a superficial grace is so available.
Interpretation
Art should challenge the creator, making the process engaging and complex.
In this quote, Richard Diebenkorn expresses the idea that creating art should not be a simple or easy endeavor. He believes that the presence of obstacles and challenges adds depth to the creative process, allowing the artist to feel a deeper connection with their work that extends beyond mere aesthetics. The journey of creation, with all its struggles, is what enriches the experience and the final outcome.
In practice
In a discussion about the creative process in art class.
When I am halfway there with a painting, it can occasionally be thrilling... But it happens very rarely; usually it's agony... I go to great pains to mask the agony. But the struggle is there. It's the invisible enemy.
In a successful painting everything is integral - all the parts belong to the whole. If you remove an aspect or element you are removing its wholeness.
All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression. To call this expression abstract seems to me often to confuse the issue. Abstract means literally to draw from or separate. In this sense every artist is abstract . . . a realistic or non-objective approach makes no difference. The result is what counts.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
If you're not ready to do a non-stop dialogue with fashion, you should do another job.
It is my belief that many who think they dislike poetry are really poetical in their natures and are indebted to it, more than they imagine, for the success they may have achieved, even in practical pursuits, and for the enjoyment their lives have afforded them.
The writer must be universal in sympathy and an outcast by nature: only then can he see clearly.
An original artist is unable to copy. So he has only to copy in order to be original.
In my work and in myself I reflect black people, women and men, as I reflect others. One day even the most self-protective ones will look into the mirror I provide and not be afraid.
Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it.
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