When I am halfway there with a painting, it can occasionally be thrilling... But it happens very rarely; usually it's agony... I go to great pains to mask the agony. But the struggle is there. It's the invisible enemy.
Richard DiebenkornRead
I want a painting to be difficult to do. The more obstacles, obstructions, problems - if they don't overwhelm - the better. I would like to feel that I am involved at any stage of the painting with all its moments, not just this 'now' moment where a superficial grace is so available.
Interpretation
Art should challenge the creator, making the process engaging and complex.
In this quote, Richard Diebenkorn expresses the idea that creating art should not be a simple or easy endeavor. He believes that the presence of obstacles and challenges adds depth to the creative process, allowing the artist to feel a deeper connection with their work that extends beyond mere aesthetics. The journey of creation, with all its struggles, is what enriches the experience and the final outcome.
In practice
In a discussion about the creative process in art class.
When I am halfway there with a painting, it can occasionally be thrilling... But it happens very rarely; usually it's agony... I go to great pains to mask the agony. But the struggle is there. It's the invisible enemy.
In a successful painting everything is integral - all the parts belong to the whole. If you remove an aspect or element you are removing its wholeness.
All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression. To call this expression abstract seems to me often to confuse the issue. Abstract means literally to draw from or separate. In this sense every artist is abstract . . . a realistic or non-objective approach makes no difference. The result is what counts.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
For being a bad student I was banished to the 'calaboose' - a bare cell with whitewashed walls and a bench to sit on. I liked it there, because I took along a sketch pad and drew incessantly I could have stayed there forever drawing without stopping
I think art is a healing force, and if we give in to the joy that can be found in art, then we are able to sustain ourselves in spite of ourselves.
Once a month the sky falls on my head, I come to and I see another movie I want to make.
It is part of the poet's work to show each man what he sees but does not know he sees.
Sometime reality is too complex. Stories give it form.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
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