If you're not ready to do a non-stop dialogue with fashion, you should do another job.
Interpretation
Engaging with fashion requires constant conversation and commitment; if you're not prepared for that, consider another profession.
Karl Lagerfeld's quote emphasizes the intrinsic nature of fashion as an ever-evolving dialogue that demands continuous engagement and passion. To succeed in the fashion industry, one must be ready to not only follow trends but also contribute to the conversation surrounding them, implying that a lack of enthusiasm may suggest a need to pursue a different career path entirely.
In practice
Use this quote when discussing the dedication required in the fashion industry during a seminar.
I believe in sketching because there is something very sensitive in sketching, you know, in sketches that you don't have out of a computer that looks the same like everybody even if, later on, the dresses are OK, but I like to sketch, and I like to see trails made after my sketches that look the same. It is you know, what I like.
I'm open to everything. When you start to criticize the times you live in, your time is over.
If I could be reincarnated as a fashion accessory, it would be a shopping bag.
Chic is a kind of mayonnaise, either it tastes, or it doesn't.
Why should I stop working? If I do, I'll die and it'll all be finished. 'm lucky to work in the most perfect of conditions. I can do what I want in all kinds of areas. The expenses are not expenses. I would be stupid to stop that. Work is making a living out of being bored.
Elegance has nothing to do with fashion.
The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically.
Landscape is to American painting what sex and psychoanalysis are to the American novel.
The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the unclear voices of children, already gathered like crikets on the grass, rose through the hot twilight.
We have lit upon the gentle, sensitive mind And lost the old nonchalance of the hand; Whether we have chosen chisel, pen or brush, We are but critics, or but half create.
The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
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