I didn't know I was a zombie pedant until I started considering what from the zombie canon to keep in 'Zone One' and what to ignore.
Colson WhiteheadRead
Part of being in New York is being able to brag about what used to be there.
Interpretation
This quote reflects on the pride and nostalgia associated with the ever-changing landscape of New York.
Colson Whitehead's quote captures a unique aspect of living in New York, where the history of its neighborhoods and landmarks are integral to its identity. The ability to boast about what once stood where you are now is a recognition of the city's rich history and cultural evolution, underscoring how past experiences shape present realities.
In practice
During a speech at a city council meeting, I might say, 'Part of being in New York is being able to brag about what used to be there' to emphasize the city's rich heritage.
I didn't know I was a zombie pedant until I started considering what from the zombie canon to keep in 'Zone One' and what to ignore.
I don't generally follow sports. At an early age, I discovered that nature had apportioned me only a small reserve of enthusiasm. Best to ration.
In keeping with my family's affection for doomed product lines and hexed formats, we purchased a Betamax. The year before, we'd bought a TRS-80 instead of an Apple II, and in due course we'd unbox Mattel's Intellivision, instead of Atari's legendary gizmo. This was good training for a writer, for the sooner you accept the fact that you are a deluded idiot who is always out of step with reality the better off you will be.
Access to information, to music or any kind of culture, is getting faster and faster and more streamlined. At each juncture, people are thrown into tumult and have to adapt or die.
I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.
Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.
Slavery, protection, and monopoly find defenders, not only in those who profit by them, but in those who suffer by them.
How well I know what I mean to do When the long dark Autumn evenings come, And where, my soul, is thy pleasant hue? With the music of all thy voices, dumb In lifeβs November too! I shall be found by the fire, suppose, Oβer a great wise book as beseemeth age, While the shutters flap as the cross-wind blows, And I turn the page, and I turn the page, Not verse now, only prose!
To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapably into itself.
The greatest error of a man is to think that he is weak by nature, evil by nature. Every man is divine and strong in his real nature. What are weak and evil are his habits, his desires and thoughts, but not himself.
Everything has changed except the way man thinks (when the hydrogen bomb was exploded)
Some minds corrode and grow inactive under the loss of personal liberty; others grow morbid and irritable; but it is the nature of the poet to become tender and imaginitive in the loneliness of confinement. He banquets upon the honey of his own thoughts, and, like the captive bird, pours forth his soul in melody.
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