I don't generally follow sports. At an early age, I discovered that nature had apportioned me only a small reserve of enthusiasm. Best to ration.
Colson WhiteheadRead
I didn't know I was a zombie pedant until I started considering what from the zombie canon to keep in 'Zone One' and what to ignore.
Interpretation
The author reflects on their realization of being overly critical about the representation of zombies in literature.
In this quote, Colson Whitehead expresses a moment of self-awareness as he examines his own analytical approach to the zombie genre. He identifies himself as a 'zombie pedant,' suggesting that he carefully deliberates on which elements of zombie lore to include or disregard in his writing, revealing the intricate relationship between creativity and critique in the realm of genre fiction.
In practice
In a discussion about the influence of zombie films, this quote can illustrate the thought process behind creative decisions.
I don't generally follow sports. At an early age, I discovered that nature had apportioned me only a small reserve of enthusiasm. Best to ration.
In keeping with my family's affection for doomed product lines and hexed formats, we purchased a Betamax. The year before, we'd bought a TRS-80 instead of an Apple II, and in due course we'd unbox Mattel's Intellivision, instead of Atari's legendary gizmo. This was good training for a writer, for the sooner you accept the fact that you are a deluded idiot who is always out of step with reality the better off you will be.
Access to information, to music or any kind of culture, is getting faster and faster and more streamlined. At each juncture, people are thrown into tumult and have to adapt or die.
I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.
Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.
Part of being in New York is being able to brag about what used to be there.
I was interested in ideas, not merely visual products. I wanted to put painting once again at the service of the mind.
As naturally as the oak bears an acorn and the vine a gourd, man bears a poem, either spoken or done.
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
There comes a moment when it is no longer you who takes the photograph, but receives the way to do it quite naturally and fully.
I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.
Art is enchantment and artists have the right of spells.
Subscribe for the occasional hand-picked quote. No noise.