Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Stephen KingRead
For me, that emotional payoff is what it’s all about. I want you to laugh or cry when you read a story...or do both at the same time. I want your heart, in other words. If you want to learn something, go to school.
Interpretation
Emotional engagement is the essence of storytelling, as it can evoke laughter, tears, or both.
In this quote, Stephen King emphasizes the intrinsic value of emotional responses in storytelling. He believes that the true purpose of a narrative is to touch the reader's heart, evoking feelings that range from joy to sorrow. By contrasting the experience of reading with formal education, he highlights how stories can teach us profound lessons through emotional resonance rather than straightforward information.
In practice
In a writing workshop, you might say, 'As Stephen King said, emotional payoff is what it’s all about in storytelling.'
Try any goddam thing you like, no matter how boringly normal or outrageous. If it works, fine. If it doesn't, toss it. Toss it even if you love it.
Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought.
Hairstyles change, and skirt lengths, and slang, but high school administrations? Never.
Description begins in the writer’s imagination, but should finish in the reader’s.
That's the day's business. Thinking. Thinking and isolation, because it doesn't matter if you pass the time of day with someone or not; in the end, you're alone. He seemed to have put in as many miles in his brain as he had with his feet. The thoughts kept coming and there was no way to deny them.
Late last night and the night before, tommyknockers, tommyknockers knocking on my door. I wanna go out, don't know if I can 'cuz I'm so afraid of the tommyknocker man.
Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom.
And I want to rise up, throw my arms open for a vast embrace, address an ample, luminous discourse to the invisible crowds. I would start like this: "O rainbow-colored gods. . .
What a creature he was! Never have I felt such a horse between my knees. His great haunches gathered under him with every stride, and he shot forward ever faster and faster, stretched like a greyhound, while the windbeat in my face and whistled past my ears.
It will not fall away. Man cannot judge it. For art sings of God, and ultimately belongs to Him.
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
One writes out of one thing only - one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.
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