It is good to have an end to journey towards; but it is the journey that matters, in the end.
Ursula K. Le GuinRead
Part of the particular interest and beauty of science fiction and fantasy: writer and reader collaborate in world-making.
Interpretation
Science fiction and fantasy engage both writers and readers in creating imaginative worlds together.
Ursula K. Le Guin highlights the unique collaborative relationship between writers and readers in the realms of science fiction and fantasy. These genres allow for the shared experience of world-building, where writers construct intricate narratives and readers actively partake in imagining these elaborate settings, thus fostering a deep connection and engagement with the worlds created.
In practice
In a discussion on the importance of engaging narratives, one might say, 'As Ursula K. Le Guin pointed out, writers and readers collaborate in world-making.'
It is good to have an end to journey towards; but it is the journey that matters, in the end.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
Reason is a faculty far larger than mere objective force. When either the political or the scientific discourse announces itself as the voice of reason, it is playing God, and should be spanked and stood in the corner.
The only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.
We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
When he found that the administrators were upset, he laughed. βDo they expect students not to be anarchists?β he said. βWhat else can the young be? When you are on the bottom, you must organize from the bottom up
When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.
In art there are only fast or slow developments. Essentially it is a matter of evolution, not revolution.
Writers have to keep on writing if they want to mature, like caterpillars endlessly chewing on leaves.
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
Not hammer-strokes, but dance of the water, sings the pebbles into perfection.
People don't remember me for how high my legs went, even though they went up very high, and how many pirouettes I did. They don't remember me for that. They remember me and any other dancer because something touched them inside. It's an indelible memory on the heart and in the mind.
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