We burned with love for ourselves, all of us, starters of the fire we suffered- our love was the affliction for which only our love was the cure.
Jonathan Safran FoerRead
People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down.
Interpretation
Books can transcend simple summaries; they are about deeper explorations and experiences.
In this quote, Jonathan Safran Foer expresses his belief that books should not be confined to a straightforward, descriptive narrative. Instead, he views them as tools for deconstruction and exploration, inviting readers to engage with layers of meaning that go beyond surface-level interpretations.
In practice
During a literary discussion at a book club, someone could use this quote to emphasize the importance of interpreting literature beyond its surface.
We burned with love for ourselves, all of us, starters of the fire we suffered- our love was the affliction for which only our love was the cure.
Memory was supposed to fill the time, but it made time a hole to be filled. Each second was two hundred yards, to be walked, crawled. You couldn't see the next hour, it was so far in the distance. Tomorrow was over the horizon, and would take an entire day to reach.
She was not crying Which surprised me very much But I understand now That she had found places For her melancholy That were behind more masks Than only her eyes
What do babies dream of? She must be dreaming of the before-life, just as I dream of the afterlife.
A few weeks after the worst day, I started writing lots of letters. I don't know why, but it was one of the only things that made my boots lighter.
What is being awake if not interpreting our dreams, or dreaming if not interpreting our wake?
The poet enjoys the incomparable privilege of being able to be himself and others, as he wishes.
We are drawn to artists who tell us that art is difficult to do and takes a spiritual effort, because we are still puritan enough to respect a strenuous spiritual effort.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
She screamed, the high scream that was neither human nor animal but something terrible in between, the sort of sound that you never forget no matter how many beautiful things you hear afterward.
I love to take actors to a place where they open a vein. Thatβs the job. The key is that I make it safe for them to open the vein.
The ostensible subject of my photographs may be motion, but the subtext is time. A dancer's movements illustrate the passage of time, giving it a substance, materiality, and space. In my photographs, time is stopped, a split second becomes an eternity, and an ephemeral moment is solid as sculpture.
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