We figured the audience would want good stories, great art, wonderful characters, people you could fall in love with that we would immediately put through hell.
Chris ClaremontRead
People try to pigeonhole comics by saying they're just for kids. So is The Odyssey. So is the Labors of Hercules, the story of Fa Mulan. The advantage of those stories over the contemporary ones is that they've had 2,000 years of editing. All the crap has been weeded out over time.
Interpretation
Comics are often dismissed as children's entertainment, but like classic stories, they contain depth and meaning.
Chris Claremont's quote highlights the common misconception that comics are solely for kids, drawing a comparison to classical literature like The Odyssey and the Labors of Hercules. He emphasizes that these traditional stories have been refined over centuries, suggesting that comics, too, can contain significant narrative quality and should not be pigeonholed in a limited genre.
In practice
In a discussion about the value of graphic novels in education, this quote can illustrate their literary depth.
We figured the audience would want good stories, great art, wonderful characters, people you could fall in love with that we would immediately put through hell.
The key isn't winning -- or losing, it's making the attempt. I may never be what I ought to be, want to be -- but how will I know unless I try? Sure, it's scary, but what's the alternative? Stagnation - A safer, more terrible form of death. Not of the body, but of the spirit. An animal knows what it is, and accepts it. A man may know what he is -- but he questions. He dreams. He strives. Changes. Grows.
Creative life should be more than preaching to the converted, more than going for a core audience of 100,000 people. It should be taking risks, challenging the readership and having enough faith in one's own talent and craft to take readers on that ride.
X-Men has always been about finding your place in a society that doesn't want you.
My desire as a storyteller is to always catch the readers off guard; to give them something they aren't expecting, and take them in a direction that is satisfying in the here and non.
Comics deal with fundamental archetypes. We've been called the myth-makers of the modern age.
Music is an intrinsic part of life; therefore, it is important to transport different forms of artistic expression, science, and mathematics into compositions.
A writer is a palmist, reading the lines of the planet.
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.
When you have committed enough words to paper, you feel you have a spine stiff enough to stand up in the wind. But when you stop writing, you find that's all you are - a spine, a row of rattling vertebrae, dried out like an old quill pen.
If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
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