We figured the audience would want good stories, great art, wonderful characters, people you could fall in love with that we would immediately put through hell.
Chris ClaremontRead
People try to pigeonhole comics by saying they're just for kids. So is The Odyssey. So is the Labors of Hercules, the story of Fa Mulan. The advantage of those stories over the contemporary ones is that they've had 2,000 years of editing. All the crap has been weeded out over time.
Interpretation
Comics are often dismissed as children's entertainment, but like classic stories, they contain depth and meaning.
Chris Claremont's quote highlights the common misconception that comics are solely for kids, drawing a comparison to classical literature like The Odyssey and the Labors of Hercules. He emphasizes that these traditional stories have been refined over centuries, suggesting that comics, too, can contain significant narrative quality and should not be pigeonholed in a limited genre.
In practice
In a discussion about the value of graphic novels in education, this quote can illustrate their literary depth.
We figured the audience would want good stories, great art, wonderful characters, people you could fall in love with that we would immediately put through hell.
The key isn't winning -- or losing, it's making the attempt. I may never be what I ought to be, want to be -- but how will I know unless I try? Sure, it's scary, but what's the alternative? Stagnation - A safer, more terrible form of death. Not of the body, but of the spirit. An animal knows what it is, and accepts it. A man may know what he is -- but he questions. He dreams. He strives. Changes. Grows.
Creative life should be more than preaching to the converted, more than going for a core audience of 100,000 people. It should be taking risks, challenging the readership and having enough faith in one's own talent and craft to take readers on that ride.
X-Men has always been about finding your place in a society that doesn't want you.
My desire as a storyteller is to always catch the readers off guard; to give them something they aren't expecting, and take them in a direction that is satisfying in the here and non.
Comics deal with fundamental archetypes. We've been called the myth-makers of the modern age.
An artist's sphere of influence is the world.
I see myself as a perennial expatriate because, frankly, I don't think I fit comfortably in any conventional form of filmmaking, and I feel at the same time, depending on the project, I fit into many different ones.
A writer should write with his eyes and a painter paint with his ears.
We are part of each other and part of something bigger than our own egos. An artist should... bring into the world some vision. Dancers should ask, "What is their work in the service of?"
Wine is one of the most civilized things in the world and one of the most natural things of the world that has been brought to the greatest perfection, and it offers a greater range for enjoyment and appreciation than, possibly, any other purely sensory thing.
So I try to re-invent my own eye every time I tackle a new subject. But it's hard, because everybody has style. You can't help it.
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