Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
David LynchRead
More and more people are seeing the films on computers - lousy sound, lousy picture - and they think they've seen the film, but they really haven't.
Interpretation
Watching films on computers doesn't provide the same experience as seeing them in theaters, leading to a misunderstanding of the film's true essence.
David Lynch's quote emphasizes the crucial difference between watching films on a computer and experiencing them in a proper cinematic environment. He argues that many viewers are settling for subpar sound and picture quality at home, which hinders their ability to fully appreciate and understand the film, leading to a false sense of having 'seen' it.
In practice
During a film discussion at a community center, emphasize the importance of theater viewing using this quote.
Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
In todayβs world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
A portrait photographer depends upon another person to complete his picture. The subject imagined, which in a sense is me, must be discovered in someone else willing to take part in a fiction he cannot possibly know about.
I happen to go for the simplest, most ordinary things. The extraordinary doesn't interest me. I'm not interested in psychotics. I'm interested in the person you don't expect to have a story. I like Everyman.
Oftentimes, especially in the context of an acoustic song, I'm motivated to write by some amount of melancholy.
The proliferation of styles, genres, and media need not be the death knell of anything. Instead, it's a sign that our acceptance for variation and experimentation has become wider, our interests have become more diverse, and our appetites have become more omnivorous.
It's about the stories. If I write 14 stories that I love, then the next step is to get the environment of music around it to best envelop the story, and all kinds of sonic goodness - sonic goodies.
From 1968 on, I was pretty much the black, gay SF writer.
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