I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
Tadao AndoRead
If you give people nothingness, they can ponder what can be achieved from that nothingness.
Interpretation
What this quote means
This quote suggests that emptiness can inspire creativity and contemplation about possibilities.
Tadao Ando's quote highlights the idea that nothingness, or the absence of things, can serve as a fertile ground for thought and imagination. It emphasizes that in a void, individuals are prompted to explore their own ideas and potential, leading to new and innovative outcomes. This perspective encourages embracing simplicity and the unknown, as it allows for personal growth and creative discovery.
Themes
NothingnessCreativityPossibilitiesPotentialThought
In practice
Example use cases
In a motivational speech about embracing challenges and emptying one's mindset to think freely.
More from Tadao Ando
All quotes βI create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying.
Tadao AndoRead
I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
Tadao AndoRead
All architecture has a public nature, I believe, so I would like to make a public space.
Tadao AndoRead
I like ruins because what remains is not the total design, but the clarity of thought, the naked structure, the spirit of the thing.
Tadao AndoRead
In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
Tadao AndoRead
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The basis of drama is... the struggle of the hero towards a specific goal at the end of which he realises that what kept him from it was, in the lesser drama, civilisation and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable.
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The world is made up for the most part of morons and natural tyrants, sure of themselves, strong in their own opinions, never doubting anything.
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Thousands of years ago, weren't we capable of building enormous structures like the pyramids? Weren't we capable of worshiping gods, weaving, making fire, finding lovers and wives, sending written messages? Of course we were. But although we've succeeded in replacing slaves with wage slaves, all the advances we've made have been in the field of science. Human beings are still asking the same questions as their ancestors. In short, they haven't evolved at all.
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Our Constitution is in actual operation; everything appears to promise that it will last; but in this world nothing is certain but death and taxes.
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I soon began to sense a fundamental perceptual difficulty among male scholars (and some female ones) for which 'sexism' is too facile a term. It is really an intellectual defect, which might be termed 'patrivincialism' or patrochialism': the assumption that women are a subgroup, that men's culture is the 'real' world, that patriarchy is equivalent to culture and culture to patriarchy, that the 'great' or 'liberalizing' periods of history have been the same for women as for men.
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