Instead of becoming a great shikari, as my mother and stepfather might have wished, I had become an incurable bookworm and was to remain one for the rest of my life.
Ruskin BondRead
People often ask me why my style is so simple. It is, in fact, deceptively simple, for no two sentences are alike. It is clarity that I am striving to attain, not simplicity. Of course, some people want literature to be difficult and there are writers who like to make their readers toil and sweat. They hope to be taken more seriously that way. I have always tried to achieve a prose that is easy and conversational. And those who think this is simple should try it for themselves.
Interpretation
The author emphasizes the importance of clarity in writing over unnecessary complexity.
In this quote, Ruskin Bond reflects on his writing style, explaining that while it may seem simple at first glance, it requires skill to achieve true clarity. He critiques the notion that literature must be complex to be respected, arguing instead for a more conversational, accessible approach that invites readers in rather than forcing them to struggle through the text.
In practice
Use this quote in a writing workshop to discuss the importance of clarity in prose.
Instead of becoming a great shikari, as my mother and stepfather might have wished, I had become an incurable bookworm and was to remain one for the rest of my life.
But the trees seemed to know me. They whispered among themselves and beckoned me nearer. And looking around, I noticed the other small trees and wild plants and grasses had sprung up under the protection of the trees we had placed there. The trees had multiplied! They were moving. In one small corner of the world, Grandfather's dream was coming true and the trees were moving again.
My mother wanted me to join the Indian army, as the army was seen as a decent and respectable career to have. I shocked my mother by telling her that I wanted to be a writer.
But the trees seemed to know me. They whispered among themselves and beckoned me nearer.
How evanescent those loves and friendships seem at this distance in time…We move on, make new attachments. We grow old. But sometimes, we hanker for old friendships, the old loves. Sometimes I wish I was young again. Or that I could travel back in time and pick up the threads. Absent so long, I may have stopped loving you, friends; but I will never stop loving the Day I loved you.
You may not enjoy loneliness, because loneliness is sad. But solitude is something else; solitude is what you look forward to when you want to be alone, when you want to be with yourself. So, solitude is something we all need from time to time.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
The literary world is made up of little confederacies, each looking upon its own members as the lights of the universe; and considering all others as mere transient meteors, doomed to soon fall and be forgotten, while its own luminaries are to shine steadily into immortality.
I think I belong to America's last generation of novelists. Novelists will come one by one from now on, not in seeming families, and will perhaps write only one or two novels, and let it go at that.
Rueful, bittersweet, funny, written with tenderness and bite, Merrill Feitell's stories, like so many classic short stories, are made from the plain and painful stuff of this world, and haunted by the possibility, and the impossibility, of a better one.
All good books are alike in that they are truer than if they had really happened and after you are finished reading one you will feel that all that happened to you and afterwards it all belongs to you: the good and the bad, the ecstasy, the remorse and sorrow, the people and the places and how the weather was. If you can get so that you can give that to people, then you are a writer.
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