Does it ever stop? The wanting you?" "Even when I've just left ye. I want you so much my chest feels tight and my fingers ache with wanting to touch ye again.
Diana GabaldonRead
People ask me why I write strong women, and I say, 'Well, I don't like stupid ones.' Who would want to read about weak and whiny women? Are they people who assume women are weak and whiny? If so, why do they think that?
Interpretation
Diana Gabaldon emphasizes the importance of strong female characters in literature.
In this quote, Diana Gabaldon defends her choice to write strong women, questioning societal assumptions that portray women as weak or whiny. She argues that literature should reflect the strength and complexity of women's experiences, challenging stereotypes and encouraging readers to value strong female characters.
In practice
In discussions about character representation in films or books, this quote can highlight the need for strong female roles.
Does it ever stop? The wanting you?" "Even when I've just left ye. I want you so much my chest feels tight and my fingers ache with wanting to touch ye again.
But a man is not forgotten, as long as there are two people left under the sky. One, to tell the story; the other, to hear it.
You are at some point exposed to a wonderful story, and you really want to know what happens next, so you learn to read in order to find out.
There are things that I canna tell you, at least not yet. And I'll ask nothing of ye that ye canna give me. But what I would ask of ye---when you do tell me something, let it be the truth. And I'll promise ye the same. We have nothing now between us, save---respect, perhaps. And I think that respect has maybe room for secrets, but not for lies. Do ye agree?
Conflict and character are the heart of good fiction, and good mystery has both of those in spades.
Do you know,' he said again softly, addressing his hands, 'what it is to love someone, and never - never! - be able to give them peace, or joy, or happiness?' He looked up then, eyes filled with pain. 'To know that you cannot give them happiness, not through any fault of yours or theirs, but only because you were not born the right person for them?
The profession of book writing makes horse racing seem like a solid, stable business.
It is the nobility of their style which will make our writers of 1840 unreadable forty years from now.
The poet gives us his essence, but prose takes the mould of the body and mind entire.
My theory is that literature is essential to society in the way that dreams are essential to our lives. We can't live without dreaming - as we can't live without sleep. We are 'conscious' beings for only a limited period of time, then we sink back into sleep - the 'unconscious.' It is nourishing, in ways we can't fully understand.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
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