When it came night, the white waves paced to and fro in the moonlight, and the wind brought the sound of the great sea's voice to the men on shore, and they felt that they could then be interpreters.
It perhaps might be said--if any one dared--that the most worthless literature of the world has been that which has been written by the men of one nation concerning the men of another.
Interpretation
What this quote means
Crane critiques how literature often misrepresents other nations and cultures.
In this quote, Stephen Crane reflects on the idea that literature created by individuals about other nations can often lack authenticity and value, suggesting that such works fail to genuinely convey the realities of those outside one's own cultural experience. He implies that understanding and representing another culture requires more than mere observation; it necessitates a deeper engagement that is often absent in cross-national literary works, leading to misinterpretations and a devaluation of both the subject and the writer.
Themes
In practice
Example use cases
In a literary discussion about cross-cultural representation, this quote could highlight the importance of authentic voices.
More from Stephen Crane
All quotes →I saw a man pursuing the horizon
Two or three angels Came near to the earth. They saw a fat church. Little black streams of people Came and went in continually. And the angels were puzzled To know why the people went thus, And why they stayed so long within.
Sometimes, the most profound of awakenings come wrapped in the quietest of moments.
Tell her this And more,— That the king of the seas Weeps too, old, helpless man. The bustling fates Heap his hands with corpses Until he stands like a child With surplus of toys.
Over the river a golden ray of sun came through the hosts of leaden rain clouds.
Similar quotes
Over-certified adjectives are the mark of most best-seller writing
Undoubtedly the stories about them [hard-boiled detectives] had a fantastic element. Such things happened, but not so rapidly, nor to so close-knit a group of people, nor within so narrow a frame of logic. This was inevitable because the demand was for constant action; if you stopped to think you were lost. When in doubt, have a man come through a door with a gun in his hand.
Belief in one's identity as a poet or writer prior to the acid test of publication is as naive and harmless as the youthful belief in one's immortality... and the inevitable disillusionment is just as painful.
I think the job of writing and literature is to encourage each one of us to believe that we're living in a story.
Novelists, it seems to me, are the very last people who should be asked to comment on the news of the day, and sooner or later, when they have been pilloried for their views, most of them recognise this.
A novel is not moral in the usual sense of the word. It can be called moral when it shakes us out of our stupor and makes us confront the absolutes we believe in.