Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.
Interpretation
This quote suggests that the surface story we see may hide deeper, evolving narratives beneath it.
Cornelia Funke's quote reflects on the layers of storytelling, suggesting that while the narrative presented in a book may seem static, it actually represents a dynamic world filled with growth and change beneath its surface. Just as in our lives, these underlying themes and experiences continuously evolve, enriching our understanding and interpretation of the narrative over time.
In practice
In a book club, we discussed the quote to analyze how characters develop.
Is there anything in the world better than words on the page? Magic signs, the voices of the dead, building blocks to make wonderful worlds better than this one, comforters, companions in loneliness. Keepers of secrets, speakers of the truth...all those glorious words.
Words were useless. At times, they might sound wonderful, but they let you down the moment you really needed them. You could never find the right words, never, and where would you look for them? The heart is as silent as a fish, however much the tongue tries to give it a voice.
Children are caterpillars and adults are butterflies. No butterfly ever remembers what it felt like being a caterpillar.
She wanted to return to her dream. Perhaps it was still somewhere there behind her closed eyelids. Perhaps a little of its happiness still clung like gold dust to her lashes. Don't dreams in fairy tales sometimes leave a token behind?
Why do grown-ups think it's easier for children to bear secrets than the truth? Don't they know about the horror stories we imagine to explain the secrets?
Walter Scott has no business to write novels, especially good ones. It is not fair. He has fame and profit enough as a poet, and should not be taking the bread out of the mouths of other people.
I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.
What I felt was, if you spend your life just writing fiction, you are going to falsify your material. And the fictional form was going to force you to do things with the material, to dramatize it in a certain way. I thought nonfiction gave one a chance to explore the world, the other world, the world that one didn't know fully.
A big part of me would be very proud never having anything of mine adapted, because if you want the real experience, there's only one way to get it. You're going to actually have to be a reader.
The literary world is made up of little confederacies, each looking upon its own members as the lights of the universe; and considering all others as mere transient meteors, doomed to soon fall and be forgotten, while its own luminaries are to shine steadily into immortality.
Literature got me into this mess and literature is going to have to get me out of it.
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