Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.
Interpretation
This quote suggests that the surface story we see may hide deeper, evolving narratives beneath it.
Cornelia Funke's quote reflects on the layers of storytelling, suggesting that while the narrative presented in a book may seem static, it actually represents a dynamic world filled with growth and change beneath its surface. Just as in our lives, these underlying themes and experiences continuously evolve, enriching our understanding and interpretation of the narrative over time.
In practice
In a book club, we discussed the quote to analyze how characters develop.
Is there anything in the world better than words on the page? Magic signs, the voices of the dead, building blocks to make wonderful worlds better than this one, comforters, companions in loneliness. Keepers of secrets, speakers of the truth...all those glorious words.
Words were useless. At times, they might sound wonderful, but they let you down the moment you really needed them. You could never find the right words, never, and where would you look for them? The heart is as silent as a fish, however much the tongue tries to give it a voice.
Children are caterpillars and adults are butterflies. No butterfly ever remembers what it felt like being a caterpillar.
She wanted to return to her dream. Perhaps it was still somewhere there behind her closed eyelids. Perhaps a little of its happiness still clung like gold dust to her lashes. Don't dreams in fairy tales sometimes leave a token behind?
Why do grown-ups think it's easier for children to bear secrets than the truth? Don't they know about the horror stories we imagine to explain the secrets?
Writing prejudicial, off-putting reviews is a precise exercise in applied black magic. The reviewer can draw free-floating disagreeable associations to a book by implying that the book is completely unimportant without saying exactly why, and carefully avoiding any clear images that could capture the reader's full attention.
Undoubtedly the stories about them [hard-boiled detectives] had a fantastic element. Such things happened, but not so rapidly, nor to so close-knit a group of people, nor within so narrow a frame of logic. This was inevitable because the demand was for constant action; if you stopped to think you were lost. When in doubt, have a man come through a door with a gun in his hand.
You want in all cases for the story to get through the writing.
the association of children and fairy-stories is an accident of our domestic history. Fairy-stories have in the modern lettered world been relegated to the “nursery,” as shabby or old-fashioned furniture is relegated to the play-room, primarily because the adults do not want it, and do not mind if it is misused.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
Walter Scott has no business to write novels, especially good ones. It is not fair. He has fame and profit enough as a poet, and should not be taking the bread out of the mouths of other people.
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