Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Junot DiazRead
Personally I always feel like I could use a little more of poetry apothegmatic power in my own work but we're always lacking something.
Interpretation
The quote expresses a longing for more poetic expression in one's own work, highlighting the idea that creativity often feels incomplete.
Junot Diaz reflects on the notion that every creator feels a gap in their work, a sense of lacking something essential. He suggests that the eloquence and depth found in poetry is a powerful tool that he wishes to incorporate more into his own creative endeavors, indicating that the journey of creation is often accompanied by the feeling of incompleteness or inadequacy.
In practice
In a writing workshop, I shared this quote to emphasize the importance of striving for poetic expression in our drafts.
Artists are not cheerleaders, and we're not the heads of tourism boards. We expose and discuss what is problematic, what is contradictory, what is hurtful and what is silenced in the culture we're in.
Run a hand through your hair, like the white boys do, even though the only thing that runs easily through your hair is Africa.
I can see myself watching him shave every morning. And at other time I see us in that house and see how one bright day (or a day like this, so cold your mind shifts every time the wind does) he will wake up and decide it's all wrong. I'm sorry, he'll say. I have to leave now.
Migration gives a blank cheque to put anything you don't feel like addressing in the memory hold. No neighbours can go against the monster narrative of your family.
We all dream dreams of unity, of purity; we all dream that there's an authoritative voice out there that will explain things, including ourselves.
I think 90% of my ideas evaporate because I have a terrible memory and because I seem to be committed to not scribble anything down. As soon as I write it down, my mind rejects it.
You have to go out there and give a piece of yourself -- your life, your soul. And you better give the audience everything you can -- physically, emotionally, musically. Then maybe they'll accept you and give you a standing ovation at the end.
Now I need to take a piece of wood and make it sound like the railroad track, but I also had to make it beautiful and lovable so that a person playing it would think of it in terms of his mistress, a bartender, his wife, a good psychiatrist - whatever.
Then what shall I write? I can't just write that this happened then this happened then this happened to boring infinitum. I'll let my journal grow just like the mind does, just like a tree or beast does, just like life does. Why should a book tell a tale in a dull straight line? Words should wander and meander. They should fly like owls and flicker like bats and slip like cats. They should murmur and scream and dance and sing.
I like the construction of sentences and the juxtaposition of words-not just how they sound or what they mean, but even what they look like.
The dancer of the future will be one whose body & soul have grown so harmoniously together that the natural language of the soul will have become the movement of the body.
In the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the nonbelongers, the different ones, the outlaws, the freaks.
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